206 BCE - 220 CE
H. 2.9 x Diam. 4.1 cm (1 1/8 x 1 5/8 in.)
Wood
19th-20th centuryThaiPale green neprhite; the inscription picked out in gold
19th centuryChineseLacquer on wood with Kōdaiji-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques; [modern] silver fittings
16th centuryJapaneseKoryŏ-style inlaid celadon ware: light gray stoneware with celadon glaze over decoration inlaid in black and white slips
20th centuryKoreanBlue-and-white ware: porcelaneous white stoneware with decoration painted in underglaze cobalt-blue
15th centuryAnnameseMaki-e lacquer;
17th-19th centuryJapaneseHuangpu ware: light gray stoneware covered all over with white slip, the decoration painted in localized areas of discontinuous dark brown glaze. From the Huangpu kilns, Tongchuan, Shaanxi province
9th centuryChineseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryLacquered wood with brass fittings and with inlays of mother of pearl, tortoiseshell, twisted wire, and metal filings
19th-20th centuryKoreanLacquer on wood
18th-19th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques
17th-18th centuryJapaneseSilver with parcel gilding
3rd century BCE-3rd century CEChinese