19th century
2.54 x 7.94 x 3.49 cm (1 x 3 1/8 x 1 3/8 in.)
Stephen Bleecker Luce, Bequest to Fogg Art Museum, 1962.
Silver
19th centuryBritishEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Wanli nian zhi" within a double circle on the base
16th-17th centuryChineseLacquer
ChinesePale greenish white nephrite
18th centuryChineseLacquer on wood with decoration in gold, silver, and aokin (gold-silver) utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; gilt-copper fittings [tray with decoration of cranes in takamaki-e (high-relief sprinkled design) may be a later replacement]
18th centuryJapaneseQingbai ware: molded porcelain with pale sky-blue glaze; with molded inscription reading "Wu Jia He ___" on the base
12th-13th centuryChinesePale greenish white nephrite
18th-19th centuryChineseSilver
17th centuryBritishLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with textured sheet-lead and raden (mother-of-pearl) inlays
17th-18th centuryJapaneseSilver
Unidentified cultureLacquer on wood with Kōdaiji-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques; [modern] silver fittings
16th centuryJapanese