19th century
Attractively painted with bird and flower.
7 x 30 x 9 cm (2 3/4 x 11 13/16 x 3 9/16 in.)
Brass
19th centuryPersianMaki-e designs in gold and silver on nashi-ji lacquer ground
19th centuryJapaneseBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanSilver and wax
18th centuryBritishLacquer on wood
18th-19th centuryJapaneseSilver
19th centuryFrenchLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with textured sheet-lead and raden (mother-of-pearl) inlays
17th-18th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, applied kirigane (cut gold and silver), and [later] raden (mother-of-pearl) inlays; metal fittings
15th-16th centuryJapaneseWood, secured with wooden pegs, and with brass fittings
19th centuryKoreanEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt blue mark reading "Da Ming Wanli nian zhi" within a double-square set within a "ruyi" cloud-scroll border on the base
16th-17th centuryChinesePale greenish white nephrite
18th centuryChineseLacquer on wood with decoration in gold, silver, and aokin (gold-silver) utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; gilt-copper fittings [tray with decoration of cranes in takamaki-e (high-relief sprinkled design) may be a later replacement]
18th centuryJapanese