19th century
Attractively painted with bird and flower.
7 x 30 x 9 cm (2 3/4 x 11 13/16 x 3 9/16 in.)
Lacquer on woven bamboo with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays
17th centuryJapaneseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques and with glazed-ceramic and raden (mother-of-pearl) inlays; stone and lacquered-copper fittings
18th centuryJapaneseTortoise shell
18th centuryFrenchLacquer on wood
JapaneseBlue-and-white ware: porcelain with decoration painted in underglaze cobalt blue
19th-20th centuryChineseMaki-e lacquer;
17th-19th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques; openwork bronze cover and copper interior fittings
17th-18th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) technique
18th centuryJapaneseWatercolor, gold-colored pigments, and lacquer over brass layer on pasteboard
19th centuryPersianOff-white stoneware with pale celadon glaze over decoration applied in white slip, the decoration embellished with incising and with touches of iron-brown slip in localized areas. Possibly from the Yaozhou kilns, near Tongchuan, Shaanxi province.
9th centuryChineseOpaque watercolor, gold-colored pigments, brass chips, and lacquer over brass layer on pasteboard
19th centuryLacquer
17th-19th centuryJapanese