BoxesThai17th century

LARGE SUTRA BOX

17th century

Classification

Boxes

Culture

Thai

Century

17th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

33.66 x 26.04 cm (13 1/4 x 10 1/4 in.)

Related Artworks

Boxes

Large Storage Box with Decoration of Two Dragons Facing a Flaming Jewel

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Lacquered wood: wooden core with light brown lacquer (possibly over a leather substrate) and inlays of mother-of-pearl, sharkskin or ray skin, wire, twisted wire, and metal fillings

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Portfolio cover from the portfolio "On Death, Part One, Opus XI"

Max Klinger, 1897

Paper over board, cardboard

19th centuryGerman

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Inkstone Box (Suzuribako) with Blossoming Chrysanthemum Design

Unknown Artist, Early Edo period, 17th century

Lacquer on wood with decoration in gold utilizing the togidashi maki-e (sprinkled design revealed by polishing) technique; stone and gilt-copper fittings

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Boxes

SUTRA BOX

Unknown Artist, 19th century

Lacquer on wood

19th centuryThai

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Inkstone Box (Suzuribako) with Design of Hares and Autumn Grasses

Hon'ami Kōetsu 本阿弥光悦, late Momoyama or early Edo period, late 16th to early 17th century

Lacquer on wood with decoration in sabi urushi (thick lacquer paste) and gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with appliqués of lead foil and raden (mother-of-pearl) inlays; stone and copper fittings

16th-17th centuryJapanese

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Jade Circular Covered Box with Floral Decoration and with Poem Inscribed on the Cover

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Grayish nephrite with off-white inclusions

18th-19th centuryChinese

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Kōdaiji Mirror Box (Kagamibako) with Chrysanthemum and Fence Design

Unknown Artist, Momoyama period, early 17th century

Lacquer on wood with Kōdaiji-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji (pictorial "pear-skinned" ground) techniques

17th centuryJapanese

Boxes

Inkstone Box (Suzuribako) with Hydrangea, Fabric and Mirror Design

Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques and with glazed-ceramic and raden (mother-of-pearl) inlays; stone and lacquered-copper fittings

18th centuryJapanese

Boxes

Small Circular Covered Box with Lotus Decor

Unknown Artist, probably 13th century

Qingbai ware: molded porcelain with pale sky-blue glaze

13th centuryChinese

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Long Scroll Box (Nagafubako) with Wild-Carnation Crest Design

Unknown Artist, Style of the Muromachi period, late 15th or early 16th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet gold and silver appliqué) techniques; metal fittings

15th-16th centuryJapanese

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Incense Container (Kōgō) with Pea Pod and Vine Design

Ogata Kōrin 尾形光琳, Early Edo period, late 17th century-early 18th century

Lacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with textured sheet-lead and raden (mother-of-pearl) inlays

17th-18th centuryJapanese

Boxes

Tall Circular Covered Silver-Form Box

Unknown Artist, 9th century

Huangpu ware: light gray stoneware with dark brown glaze. From the Huangpu kilns, Tongchuan, Yaozhou county, Shaanxi province

9th centuryChinese