Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays; stone and metal fittings

17th centuryJapanese

Boxes

Silver Amulet Box

Unknown Artist, 19th century

Silver

19th centuryPersian

Boxes

Circular Box and Cover with Peony Decor

Unknown Artist, second half 12th century

Inlaid celadon ware: light gray stoneware with celadon glaze over incised decoration partially inlaid in black and white slips

12th centuryKorean

Boxes

Inkstone Box (Suzuribako) with Tiger and Bamboo Design

Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and kanagai (sheet-gold appliqué) techniques, and with applied kirigane (cut gold); stone and metal fittings

18th centuryJapanese

Boxes

Portfolio cover from the portfolio "On Death, Part One, Opus XI"

Max Klinger, 1897

Paper over board, cardboard

19th centuryGerman

Boxes

Covered Circular Silver-Form Box with Floral Decor

Unknown Artist, 11th-12th century

Yaozhou ware: light gray stoneware with celadon glaze over carved decoration. From the Yaozhou kilns at Tongchuan, Shaanxi province.

11th-12th centuryChinese

Boxes

Poem-Slip Box (Shikishibako) with Pine Tree Design

Unknown Artist, Early Edo period, late 17th century -early 18th century

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and togidashi maki-e (sprinkled design revealed by polishing) techniques, and with applied kirigane (cut gold and silver); metal fittings and silk cord

17th-18th centuryJapanese

Boxes

Three Boxes from an Incense-Game Set (Kōdōgubako) with Bamboo, Pine and Double Family-Crest Design

Unknown Artist, Early Edo period, late 17th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji ("pear-skinned" ground) techniques; metal interior fittings

17th centuryJapanese

Boxes

Document Box (Ryōshibako) with Gong, Vajra, and Sutra Design

Ogawa Haritsu, Early to Mid Edo period, late 17th to early 18th century

Lacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and tortoiseshell inlays

17th-18th centuryJapanese

Boxes

Qur'an or Amulet Box

Unknown Artist, 19th-20th century

Approximately 20 sheets of brass, steel, and nickel silver joined with gray lead-tin solder

19th-20th century

Boxes

Scroll Box for Lotus Sutra Chapter 24 with Frontispiece (1961.141.A)

Unknown Artist

Lacquer on wood with decoration in gold

Japanese