Style of the Muromachi period, late 15th or early 16th century
2.3 x 5.6 x 7.2 cm (7/8 x 2 3/16 x 2 13/16 in.)
Lacquer
17th-19th centuryJapaneseSilver
19th centuryPersianOlive wood
European?Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with silver and raden (mother-of-pearl) inlays; metal fittings
18th centuryJapaneseHuangpu ware: light gray stoneware covered all over with white slip, the decoration painted in localized areas of discontinuous dark brown glaze. From the Huangpu kilns, Tongchuan, Shaanxi province
9th centuryChineseMarble
European?Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet gold and silver appliqué) techniques, with applied kirigane (cut gold and silver) and with sheet-lead inlays; stone, metal, and enamel fittings
17th centuryJudaeanOff-white stoneware with pale celadon glaze over decoration applied in white slip, the decoration embellished with incising and with touches of iron-brown slip in localized areas. Possibly from the Yaozhou kilns, near Tongchuan, Shaanxi province.
9th centuryChineseApproximately 20 sheets of brass, steel, and nickel silver joined with gray lead-tin solder
19th-20th centuryLacquered wood with inlays of tortoiseshell, twisted wire, and metal filings
19th centuryKoreanPale green neprhite; the inscription picked out in gold
19th centuryChinese