9th century
H. (with cover) 2.6 x Diam. 4.2 cm (1 x 1 5/8 in.)
Acquired from Kaikodo, New York.
Cizhou ware: light gray stoneware with clear glaze over decoration painted in a dark brown slip on a white slip ground
12th-13th centuryChineseLacquer on wood with decoration in zonsei-nuri (incised and painted lacquer) and gold utilizing the togidashi maki-e (sprinkled design revealed by polishing) technique; silk cord
18th centuryJapaneseMahogany and brass
20th centuryAmericanBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanPorcelain with enamels and gold
19th centuryGermanEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Wanli nian zhi" within a double circle on the base
16th-17th centuryChineseLacquer on wood with decoration in black and gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; shakudo (copper-gold alloy) fittings
19th centuryJapaneseLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, with applied kirigane (cut gold and silver) and with glazed-ceramic, ivory, mother-of-pearl, coral, and malachite inlays; stone and metal fittings
18th centuryJapaneseWhite stoneware with ivory hued glaze
8th-9th centuryChineseQingbai ware: molded porcelain with pale sky-blue glaze
13th centuryChineseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and harigaki (linear incising) techniques; lead-alloy fittings
16th centuryJapaneseMaki-e designs in gold and silver on nashi-ji lacquer ground
Japanese