Document Box (Ryōshibako) with Gong, Vajra, and Sutra Design

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and harigaki (linear incising) techniques; lead-alloy fittings

Rosewood with metal (brass and copper?) fittings, the interior of the box lined with silk damask

Lacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with sprinkled raden (mother-of-pearl) flakes

Lacquered wood: wooden core with light brown lacquer (possibly over a leather substrate) and inlays of mother-of-pearl, sharkskin or ray skin, wire, twisted wire, and metal fillings

Wood

Wood with metal fittings

Silver and wax

Han painted lacquer: reddish-brown and black lacquers over wooden core, with designs painted in lacquer and with metal mounts (probably tin)

Opaque watercolor, gold-colored pigments, brass chips, and lacquer over brass layer on pasteboard

White ware: white stoneware with clear glaze over molded elements

Carved rhinoceros horn

Inlaid celadon ware: light gray stoneware with celadon glaze over incised decoration partially inlaid in black and white slips