Document Box (Ryōshibako) with Gong, Vajra, and Sutra Design

Liao sancai ("three-color") ware: molded ivory-hued earthenware with lead-fluxed, emerald-green and caramel-yellow glazes

Mixed copper alloy, lid possibly tinned

Painted celadon ware: molded light gray stoneware with celadon glaze over decoration painted in copper-red and in black and white slips. Reportedly recovered in Changhŭng, South Chŏlla province, in 1963.

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and kanagai (sheet-gold appliqué) techniques, and with applied kirigane (cut gold); stone and metal fittings

Lacquer on woven bamboo with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays

Box containing reproductions of seventy-one works by Duchamp

Silver

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with raden (mother-of-pearl) inlays

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques, and with applied kirigane (cut gold and silver)

Negoro ware; red and black lacquer on wood

Inlaid celadon ware: light gray stoneware with celadon glaze over incised decoration partially inlaid in black and white slips