6th-7th century CE
2.8 x 7.8 cm (1 1/8 x 3 1/16 in.)
Hagop Kevorkian collection, gift; to the Fogg Museum, 1975.
Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji ("pear-skinned" ground) techniques; metal interior fittings
17th centuryJapaneseNegoro ware; red and black lacquer on wood
18th-19th centuryJapaneseSilver
Unidentified cultureLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), and nashiji ("pear-skinned" ground) techniques
18th centuryJapaneseLacquer on wood with decoration in gold utilizing the "hiramaki-e" (low-relief sprinkled design) and "kanagai" (sheet-gold appliqué) techniques
18th-19th centuryJapaneseTemmoku-type ware: light gray stoneware with black glaze, the decoration painted in overglaze iron-brown slip
20th centuryJapaneseWhite stoneware with ivory hued glaze
8th-9th centuryChineseWood, secured with wooden pegs, and with brass fittings
19th centuryKoreanLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques
18th centuryJapaneseYaozhou ware: light gray stoneware with celadon glaze over carved decoration. From the Yaozhou kilns at Tongchuan, Shaanxi province.
11th-12th centuryChineseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and kanagai (sheet-gold appliqué) techniques, and with applied kirigane (cut gold); stone and metal fittings
18th centuryJapaneseTakamakie lacquer, nashiji gold flakes, and kirigane gold foil on a roiro black lacquer ground, the lower sides with nashiji gold flakes and bokashi kinpun gold dust, the inside and the bottom with dense nashiji gold flakes
20th centuryJapanese