Covered Circular Box, the Cover with a Stylized "Double Hŭi" Character, the Box with Four Cartouches round its Side Walls, the Cartouches Depicting a Turtle, a Crab, a Fish, and a Shrimp, all the Decorative Motifs on Box and Cover Set against a Diapered Ground

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and harigaki (linear incising) techniques, and with applied kirigane (cut gold and silver) and shibuchi (copper-silver alloy); metal fittings

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and with shibuchi (copper-silver alloy), brass, silver, and coral inlays; stone, metal, and enamel fittings

Red lacquer with gold paint

Negoro ware; red and black lacquer on wood

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques and with glazed-ceramic and raden (mother-of-pearl) inlays; stone and lacquered-copper fittings

Lacquer on wood with decoration in black and gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; shakudo (copper-gold alloy) fittings

Kamakura-bori (lacquer on carved wood)

Maki-e designs in gold and silver on nashi-ji lacquer ground

Pale greenish white nephrite; the inscription picked out in gold

Metal

Huangpu ware: light gray stoneware with dark brown glaze. From the Huangpu kilns, Tongchuan, Yaozhou county, Shaanxi province

Lacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with sprinkled raden (mother-of-pearl) flakes