Portfolio cover from the portfolio "On Death, Part One, Opus XI"

Opaque watercolor, gold-colored pigments, and lacquer over tin layer on pasteboard

Lacquer on wood

Painted celadon ware: molded light gray stoneware with celadon glaze over decoration painted in copper-red and in black and white slips. Reportedly recovered in Changhŭng, South Chŏlla province, in 1963.

Off-white stoneware with pale celadon glaze over decoration applied in white slip, the decoration embellished with incising and with touches of iron-brown slip in localized areas. Possibly from the Yaozhou kilns, near Tongchuan, Shaanxi province.

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and togidashi maki-e (sprinkled design revealed by polishing) techniques, and with applied kirigane (cut gold and silver); metal fittings and silk cord

Enameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt blue mark reading "Da Ming Wanli nian zhi" within a double-square set within a "ruyi" cloud-scroll border on the base

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and with shibuchi (copper-silver alloy), brass, silver, and coral inlays; stone, metal, and enamel fittings

Earthenware with green splashed lead glaze

Tortoise shell

Bronze