19th-20th century
including cover: H. 4.2 x W. 6.8 x D. 6.1 cm (1 5/8 x 2 11/16 x 2 3/8 in.)
Lois Orswell (1904-1998), Pomfret, Connecticut (by 1984), gift; to Harvard University Art Museums, 1984.
Maki-e lacquer;
17th-19th centuryJapaneseLacquer on woven bamboo with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays
17th centuryJapaneseRed lacquer
ChineseMetal
11th-13th centuryPersianHuangpu ware: light gray stoneware covered all over with white slip, the decoration painted in localized areas of discontinuous dark brown glaze. From the Huangpu kilns, Tongchuan, Shaanxi province
9th centuryChineseSilver
18th centuryBritishApproximately 20 sheets of brass, steel, and nickel silver joined with gray lead-tin solder
19th-20th centuryLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and originally with inlays [now lost]; stone and metal fittings
16th-17th centuryJapaneseBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanBlue-and-white ware: porcelain with decoration painted in underglaze cobalt blue; with underglaze cobalt blue mark reading "Da Qing Yongzheng nian zhi" on the base
19th centuryChinese