Covered Rectangular Box with Movable Handle and Cover Lock, the Sliding Cover with a Stylized "Double Hŭi" Character, the Box with Three Cartouches round its Side Walls, Each Cartouch with a Stylized "Double Hŭi" Character, all the Decorative Motifs on Box and Cover Set against a Diapered Ground

Silver

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and with sheet-lead inlays; stone and metal fittings

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji ("pear-skinned" ground) techniques; metal interior fittings

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), and nashiji ("pear-skinned" ground) techniques

Metal

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques

Olive wood

Enameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt blue mark reading "Da Ming Wanli nian zhi" within a double-square set within a "ruyi" cloud-scroll border on the base

Lacquered wood with brass fittings and with inlays of mother of pearl, tortoiseshell, twisted wire, and metal filings

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and kanagai (sheet-gold appliqué) techniques, and with applied kirigane (cut gold); stone and metal fittings

Opaque watercolor, gold-colored pigments, and lacquer over tin layer on pasteboard

Lacquer