c. 1860
8.8 x 17.5 x 9 cm (3 7/16 x 6 7/8 x 3 9/16 in.)
Carl Chiarenza, Rochester, New York, acquired from Nicholas Dean, 1961, sold to Harvard University Art Museums, 1997. (Nicholas Dean, private collector, Cambridge, Massachusetts)
Wood, secured with wooden pegs, and with brass fittings
19th centuryKoreanLacquered wood with inlays of tortoiseshell, twisted wire, and metal filings
19th centuryKoreanEnamel
20th centuryGermanMetal
18th-19th centuryRussianPaper over board, cardboard
19th centuryGermanLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques; metal fittings and silk cord
18th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and togidashi maki-e (sprinkled design revealed by polishing) techniques, and with applied kirigane (cut gold and silver); metal fittings and silk cord
17th-18th centuryJapaneseLacquer on wood with decoration in zonsei-nuri (incised and painted lacquer) and gold utilizing the togidashi maki-e (sprinkled design revealed by polishing) technique; silk cord
18th centuryJapaneseSilver
18th centuryBritishEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with spurious overglaze red enamel mark reading "Chenghua nian zhi" on the base
17th centuryChinesePale greenish white nephrite with white inclusions
18th-19th centuryChineseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques
18th centuryJapanese