c. 1860
8.8 x 17.5 x 9 cm (3 7/16 x 6 7/8 x 3 9/16 in.)
Carl Chiarenza, Rochester, New York, acquired from Nicholas Dean, 1961, sold to Harvard University Art Museums, 1997. (Nicholas Dean, private collector, Cambridge, Massachusetts)
Koryŏ-style inlaid celadon ware: light gray stoneware with celadon glaze over decoration inlaid in black and white slips
20th centuryKoreanWhite stoneware with russet-brown glaze
20th centuryJapaneseLacquer on wood with Kōdaiji-style decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with applied kirigane (cut silver)
16th-17th centuryJapanesePale greenish white nephrite; the inscription picked out in gold
19th centuryChineseLacquer on wood with decoration in gold utilizing the togidashi maki-e (sprinkled design revealed by polishing) technique; stone and gilt-copper fittings
17th centuryJapaneseBox containing reproductions of seventy-one works by Duchamp
20th centuryFrenchQingbai ware: molded porcelain with pale sky-blue glaze
13th centuryChineseSilver and wax
18th centuryBritishLacquer on wood
18th-19th centuryJapanesePale green neprhite; the inscription picked out in gold
19th centuryChineseLacquered wood: wooden core with orange-red lacquer over black lacquer (over a paper substrate); with metal fittings
18th-19th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, applied kirigane (cut gold and silver), and [later] raden (mother-of-pearl) inlays; metal fittings
15th-16th centuryJapanese