19th century
"Sirih" is Indonesian for the acacia, or betel nut, from South Sumatra, the Lampung region. Contains an inner, removable tray. Three parts, the basket, the lid, and the inner tray. Made of woven ratan, the box is decorated with animal motifs. Horses wrap around the sides of the box. The lid contains a mythical horse-like figure with two wings and a large head.
24 x 18 x 10.5 cm (9 7/16 x 7 1/16 x 4 1/8 in.)
Temmoku-type ware: light gray stoneware with black glaze, the decoration painted in overglaze iron-brown slip
20th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with applied kirigane (cut gold and silver)
17th-18th centuryJapaneseGrayish nephrite with off-white inclusions
18th-19th centuryChineseWhite ware: white stoneware with clear glaze over molded elements
8th-9th centuryChineseLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and tortoiseshell inlays
17th-18th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji (pictorial "pear-skinned" ground) techniques; stone and copper fittings
17th centuryJapaneseYaozhou ware: light gray stoneware with celadon glaze over carved decoration. From the Yaozhou kilns at Tongchuan, Shaanxi province.
11th-12th centuryChineseEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Wanli nian zhi" within a double circle on the base
16th-17th centuryChineseBamboo with carved and stained surface and with brass fittings
18th-19th centuryKoreanDry lacquer; dark brown lacquer over fabric core, the decoration on the exterior in "takamakie" high relief gold and brown lacquer, the decoration on the interior and base in "nashiji" gold flakes; the base with signature reading "Mushū" in black lacquer
21st centuryJapaneseInlaid celadon ware: light gray stoneware with celadon glaze over incised decoration and over decoration inlaid in black and white slips
13th centuryKorean