Circular, Covered Cosmetic or Seal-Paste Box with Decoration of a Figure Attending a Vase of Blossoming Chrysanthemum Branches

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques, and with applied kirigane (cut gold and silver); metal fittings and silk cord

Lacquer, red and black

Qingbai ware: molded porcelain with pale sky-blue glaze

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; copper fittings

Lacquer on wood with decoration in gold utilizing the togidashi maki-e (sprinkled design revealed by polishing) technique; stone and gilt-copper fittings

Marble

Lacquer on wood with decoration in sumiaka (exposed cloth ground) and gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques and with gold and silver inlays; metal fittings

Lacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with textured sheet-lead and raden (mother-of-pearl) inlays

Box containing reproductions of seventy-one works by Duchamp

Inlaid celadon ware: light gray stoneware with celadon glaze over incised decoration inlaid in white slip; the inner rim banded with metal

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and with shibuchi (copper-silver alloy), brass, silver, and coral inlays; stone, metal, and enamel fittings

Bronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color