8th-9th century
Large circular box and cover with matching foliated sides; white stoneware with transparent colorless glaze over pressed foliations. From northern China, probably from Hebei or Henan province.
with cover: H. 6.8 x Diam. 15.8 cm (2 11/16 x 6 1/4 in.)
[Berwald Oriental Art, London, March 1999] sold; to Walter C. Sedgwick Foundation, Woodside, CA (1999-2006), partial gift; to Harvard University Art Museums, 2006.
Brass
19th centuryPersianLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques
18th centuryJapaneseLacquered wood: wooden core with orange-red lacquer over black lacquer (over a paper substrate); with metal fittings
18th-19th centuryJapaneseLacquer on wood with decoration in sabi urushi (thick lacquer paste) and gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with appliqués of lead foil and raden (mother-of-pearl) inlays; stone and copper fittings
16th-17th centuryJapaneseBlue-and-white ware: porcelain with decoration reserved in white against a cobalt blue ground, the central medallion on the cover with molded decoration under pale, sky-blue glaze
18th-19th centuryChineseMaki-e lacquer
19th centuryJapaneseMaki-e designs in gold and silver on nashi-ji lacquer ground
JapaneseRed lacquer with gold paint
ChinesePale greenish white nephrite
18th-19th centuryChineseBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; copper fittings
18th centuryJapaneseEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Longqing nian zao" within a double circle on the base
16th centuryChinese