c. 1750
Of plain circular form with reeded borders, the removable flat cover engraved with the Royal achievement within a scribed circle. The box contains a wax seal.
3.2 × 16.8 cm (1 1/4 × 6 5/8 in.) 622 g
[Christie's, London, May 22, 1929, lot 70. Archibald Alexander Hutchinson, gift; to Fogg Art Museum, 1948.
Yue ware: light gray stoneware with celadon glaze over incised and carved decoration. From the Yue kilns at Shanglinhu, Zhejiang province.
10th-11th centuryChineseOff-white nephrite
18th-19th centuryChineseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji ("pear-skinned" ground) techniques; metal interior fittings
17th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques
18th centuryJapaneseLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, with applied kirigane (cut gold and silver) and with glazed-ceramic, ivory, mother-of-pearl, coral, and malachite inlays; stone and metal fittings
18th centuryJapaneseLacquer on wood with decoration in painted gold and with thin mother-of-pearl inlays; metal fittings
18th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with raden (mother-of-pearl) inlays
17th-18th centuryJapaneseYue ware: light gray stoneware with celadon glaze over carved decoration. From the Yue kilns at Shanglinhu, Zhejiang province.
9th-10th centuryChineseBlue-and-white ware: porcelaneous white stoneware with decoration painted in underglaze cobalt-blue
15th centuryAnnameseSilver
18th centuryBritishTortoise shell, with brass fittings and painted lid
18th centuryFrenchLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, applied kirigane (cut gold), and with raden (mother-of-pearl) inlays
18th centuryJapanese