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  1. Harvard Art Museums
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Discover artworks from the Harvard Art Museums collection

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Inkstone Box (Suzuribako) with Design of Hares and Autumn Grasses
Boxes
Inkstone Box (Suzuribako) with Design of Hares and Autumn Grasses
Hon'ami Kōetsu 本阿弥光悦, late Momoyama or early Edo period, late 16th to early 17th century

Lacquer on wood with decoration in sabi urushi (thick lacquer paste) and gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with appliqués of lead foil and raden (mother-of-pearl) inlays; stone and copper fittings

16th-17th centuryJapanese
Sweet Box (Kashibako) with Aristocratic Carriage Design
Boxes
Sweet Box (Kashibako) with Aristocratic Carriage Design
Unknown Artist, Early Edo period, 17th century

Lacquer on woven bamboo with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays

17th centuryJapanese
Inkstone Box (Suzuribako) with Deer and Bamboo Design
Boxes
Inkstone Box (Suzuribako) with Deer and Bamboo Design
Unknown Artist, Early Edo period, mid 17th century

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays; stone and metal fittings

17th centuryJapanese
Incense Container (Kōgō) with Pea Pod and Vine Design
Boxes
Incense Container (Kōgō) with Pea Pod and Vine Design
Ogata Kōrin 尾形光琳, Early Edo period, late 17th century-early 18th century

Lacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with textured sheet-lead and raden (mother-of-pearl) inlays

17th-18th centuryJapanese
Inkstone Box (Suzuribako) with Geometric Hare-Medallion Design
Boxes
Inkstone Box (Suzuribako) with Geometric Hare-Medallion Design
Unknown Artist, Early Edo period, late 17th century

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji (pictorial "pear-skinned" ground) techniques; stone and copper fittings

17th centuryJapanese
Portable Lunch-Box Set (Sagejūbako)
Boxes
Portable Lunch-Box Set (Sagejūbako)
Unknown Artist, Edo period, 18th century

Lacquer on wood with decoration in gold, silver, and aokin (gold-silver) utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; gilt-copper fittings [tray with decoration of cranes in takamaki-e (high-relief sprinkled design) may be a later replacement]

18th centuryJapanese
Document Box (Ryōshibako) with Gong, Vajra, and Sutra Design
Boxes
Document Box (Ryōshibako) with Gong, Vajra, and Sutra Design
Ogawa Haritsu, Early to Mid Edo period, late 17th to early 18th century

Lacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and tortoiseshell inlays

17th-18th centuryJapanese
Oval Tsugaru-nuri Inkstone Box (Suzuribako) with Sage, Attendant, and Crane Design
Boxes
Oval Tsugaru-nuri Inkstone Box (Suzuribako) with Sage, Attendant, and Crane Design
Ogawa Haritsu, Mid Edo period, early 18th century

Lacquer on wood with decoration in tsugaru-nuri (layered sabi urushi [thick lacquer paste] and colored lacquers with sprinkled silver powder and raden [mother-of-pearl] flakes, textured with circular gouging), colored lacquers, gold, and sabi urushi utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and raden inlays

18th centuryJapanese
Inkstone Box (Suzuribako) with Hydrangea, Fabric and Mirror Design
Boxes
Inkstone Box (Suzuribako) with Hydrangea, Fabric and Mirror Design
Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques and with glazed-ceramic and raden (mother-of-pearl) inlays; stone and lacquered-copper fittings

18th centuryJapanese
Inkstone Box (Suzuribako) with Boat, Egret, and Reed Design
Boxes
Inkstone Box (Suzuribako) with Boat, Egret, and Reed Design
Mochizuki Hanzan, 18th century

Lacquer on wood with decoration in gold, silver, lacquer paste, lead, ceramic and shell inlays; stone and metal fittings

18th centuryJapanese
Inkstone Box (Suzuribako)
Boxes
Inkstone Box (Suzuribako)
Unknown Artist, Early Edo period, late 17th to early 18th century

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and with sheet-lead inlays; stone and metal fittings

17th-18th centuryJapanese
Inkstone Box (Suzuribako) with Plovers and Gabion Design
Boxes
Inkstone Box (Suzuribako) with Plovers and Gabion Design
Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, with applied kirigane (cut gold and silver) and with glazed-ceramic, ivory, mother-of-pearl, coral, and malachite inlays; stone and metal fittings

18th centuryJapanese
Mirror Box (Kagamibako) with Double Fan Design
Boxes
Mirror Box (Kagamibako) with Double Fan Design
Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques

18th centuryJapanese
Medicine-Container (Inrō) Shaped Box with Sword-Guard (Tsuba) Design
Boxes
Medicine-Container (Inrō) Shaped Box with Sword-Guard (Tsuba) Design
Unknown Artist, Momoyama period, late 16th century-early 17th century

Lacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with sprinkled raden (mother-of-pearl) flakes

16th-17th centuryJapanese
Zonsei-nuri Medicine Container (Inrō) with Raiden (Thunder-God) Design
Boxes
Zonsei-nuri Medicine Container (Inrō) with Raiden (Thunder-God) Design
Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in zonsei-nuri (incised and painted lacquer) and gold utilizing the togidashi maki-e (sprinkled design revealed by polishing) technique; silk cord

18th centuryJapanese
Long Scroll Box (Nagafubako) with Wild-Carnation Crest Design
Boxes
Long Scroll Box (Nagafubako) with Wild-Carnation Crest Design
Unknown Artist, Style of the Muromachi period, late 15th or early 16th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet gold and silver appliqué) techniques; metal fittings

15th-16th centuryJapanese
Circular Incense Container (Kōgō) with Paulownia Design
Boxes
Circular Incense Container (Kōgō) with Paulownia Design
Unknown Artist, Momoyama period, 16th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and harigaki (linear incising) techniques; lead-alloy fittings

16th centuryJapanese
Incense Burner (Kōro) with Autumn Flower Design
Boxes
Incense Burner (Kōro) with Autumn Flower Design
Unknown Artist, Early Edo period, late 17th century-early 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques; openwork bronze cover and copper interior fittings

17th-18th centuryJapanese
Three Boxes from an Incense-Game Set (Kōdōgubako) with Bamboo, Pine and Double Family-Crest Design
Boxes
Three Boxes from an Incense-Game Set (Kōdōgubako) with Bamboo, Pine and Double Family-Crest Design
Unknown Artist, Early Edo period, late 17th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji ("pear-skinned" ground) techniques; metal interior fittings

17th centuryJapanese
Tea-Whisk Holder (Chasenzutsu) with Paulownia Crest Design
Boxes
Tea-Whisk Holder (Chasenzutsu) with Paulownia Crest Design
Unknown Artist, Early Edo period, 17th century-18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with raden (mother-of-pearl) inlays

17th-18th centuryJapanese
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