Early Edo period, late 17th century-early 18th century
H. 7.7 x Diam.10.8 cm (3 1/16 x 4 1/4 in.)
Lacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with textured sheet-lead and raden (mother-of-pearl) inlays
17th-18th centuryJapaneseSilver with parcel gilding; with inscription incised on base and cover
5th-3rd century BCEChineseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), and nashiji ("pear-skinned" ground) techniques
18th centuryJapaneseCeladon ware: light gray stoneware with light bluish-green celadon glaze with a lavender splash on cover; with a square seal reading "Minoru" mpressed into the unglazed base before firing
20th centuryJapaneseKoryŏ-style inlaid celadon ware: light gray stoneware with celadon glaze over decoration inlaid in black and white slips
20th centuryKoreanKamakura-bori (lacquer on carved wood)
18th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques
18th centuryJapaneseSilver
19th centuryFrenchHuangpu ware: light gray stoneware covered all over with white slip, the decoration painted in localized areas of discontinuous dark brown glaze. From the Huangpu kilns, Tongchuan, Shaanxi province
9th centuryChineseLacquer on wood with decoration in tsugaru-nuri (layered sabi urushi [thick lacquer paste] and colored lacquers with sprinkled silver powder and raden [mother-of-pearl] flakes, textured with circular gouging), colored lacquers, gold, and sabi urushi utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and raden inlays
18th centuryJapanese