Inkstone Box (Suzuribako) with Design of Hares and Autumn Grasses

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques, and with applied kirigane (cut gold and silver); metal fittings and silk cord

Qingbai ware: molded porcelain with pale sky-blue glaze; with molded inscription reading "Wu Jia He ___" on the base

Pale greenish white nephrite; the inscription picked out in gold

Opaque watercolor, gold-colored pigments, brass chips, and lacquer over brass layer on pasteboard

Liao sancai ("three-color") ware: molded ivory-hued earthenware with lead-fluxed, emerald-green and caramel-yellow glazes

Lacquer on wood with decoration in wakasa-nuri (layered lacquer and gold foil over a thick base-coat impressed with various shapes and sprinkled with raden [mother-of-pearl] flakes), gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and togidashi maki-e (sprinkled design revealed by polishing) techniques, and with tsuishu (carved red lacquer), malachite, and carnelian inlays; stone and metal fittings

Qingbai ware: molded porcelain with pale sky-blue glaze

Lacquered wood with brass fittings and with inlays of mother of pearl, tortoiseshell, twisted wire, and metal filings

Lacquer on wood

Dry lacquer; dark brown lacquer over fabric core, the decoration on the exterior in "takamakie" high relief gold and brown lacquer, the decoration on the interior and base in "nashiji" gold flakes; the base with signature reading "Mushū" in black lacquer

Enamel

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques, and with applied kirigane (cut gold and silver)