late Momoyama or early Edo period, late 16th to early 17th century
5.8 x 22 x 27.3 cm (2 5/16 x 8 11/16 x 10 3/4 in.)
Blue-and-white ware: porcelain with decoration painted in underglaze cobalt blue; with underglaze cobalt blue mark reading "Da Qing Yongzheng nian zhi" on the base
19th centuryChineseLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, applied kirigane (cut gold), and with raden (mother-of-pearl) inlays
18th centuryJapaneseLacquered wood with brass fittings and with inlays of mother of pearl, tortoiseshell, twisted wire, and metal filings
19th-20th centuryKoreanLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with silver and raden (mother-of-pearl) inlays; metal fittings
18th centuryJapanesePaper over board, cardboard
19th centuryGermanPale greenish white nephrite
18th centuryChineseMaki-e designs in gold and silver lacquers on nashiji lacquer ground
19th centuryJapaneseBamboo with carved and stained surface and with brass fittings
18th-19th centuryKoreanLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques; metal fittings and silk cord
18th centuryJapaneseHan painted lacquer: reddish-brown and black lacquers over wooden core, with designs painted in lacquer and with metal mounts (probably tin)
2nd-1st century BCEChineseOpaque watercolor, gold-colored pigments, and lacquer over tin layer on pasteboard
19th centuryYue ware: light gray stoneware with celadon glaze over carved decoration. From the Yue kilns at Shanglinhu, Zhejiang province.
9th-10th centuryChinese