Momoyama period, late 16th century-early 17th century
11.1 x 8.5 x 4.6 cm (4 3/8 x 3 3/8 x 1 13/16 in.)
Wood
19th-20th centuryThaiLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, with applied kirigane (cut gold and silver) and with glazed-ceramic, ivory, mother-of-pearl, coral, and malachite inlays; stone and metal fittings
18th centuryJapaneseBronze
7th-10th centuryChineseRattan
19th centuryIndonesianCarved ivory
19th centuryChineseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and originally with inlays [now lost]; stone and metal fittings
16th-17th centuryJapaneseRosewood with metal (brass and copper?) fittings, the interior of the box lined with silk damask
18th centuryKoreanLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) technique
18th centuryJapaneseYue ware: light gray stoneware with celadon glaze over carved decoration. From the Yue kilns at Shanglinhu, Zhejiang province.
9th-10th centuryChineseSilver
19th centuryBritishRed lacquer
ChineseWatercolor, gold-colored pigments, and lacquer over brass layer on pasteboard
19th centuryPersian