Style of the Muromachi period, late 15th or early 16th century
6.7 x 7.1 x 39.6 cm (2 5/8 x 2 13/16 x 15 9/16 in.)
Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques, and with applied kirigane (cut gold and silver)
18th centuryJapaneseSilver
17th centuryBritishLacquered wood with brass fittings and with inlays of mother of pearl, tortoiseshell, twisted wire, and metal filings
19th-20th centuryKoreanPorcelain with enamels and gold
19th centuryGermanLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and harigaki (linear incising) techniques; lead-alloy fittings
16th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques; metal fittings
17th centuryJapaneseMahogany and brass
20th centuryAmericanWood
19th-20th centuryThaiPaper over board, cardboard
19th centuryGerman
Dry lacquer; dark brown lacquer over fabric core, the decoration on the exterior in "takamakie" high relief gold and brown lacquer, the decoration on the interior and base in "nashiji" gold flakes; the base with signature reading "Mushū" in black lacquer
21st centuryJapaneseCast iron with localized areas of gilding; the interior of the box and cover lined with hammered silver purportedly designed by Miochin (1624-1642)
17th centuryJapanese