Circular Incense Container (Kōgō) with Paulownia Design

Wood, secured with wooden pegs, and with brass fittings

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) technique

Metal

Lacquer on wood with decoration in sumiaka (exposed cloth ground) and gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques and with gold and silver inlays; metal fittings

Metal

Pale greenish white nephrite with white inclusions

Box containing reproductions of seventy-one works by Duchamp

Lacquered wood: wooden core with orange-red lacquer over black lacquer (over a paper substrate); with metal fittings

Lacquer on wood with decoration in gold and seisei urushi (cooked lacquer) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; gold and shakudo (copper-gold alloy) fittings

Qingbai ware: molded porcelain with pale sky-blue glaze

Lacquer on wood with decoration in sabi urushi (thick lacquer paste) and gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with appliqués of lead foil and raden (mother-of-pearl) inlays; stone and copper fittings

Enameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Longqing nian zao" within a double circle on the base