Early Edo period, 17th century-18th century
8.9 x 4.3 cm (3 1/2 x 1 11/16 in.)
Kamakura-bori (lacquer on carved wood)
18th centuryJapaneseWood
19th-20th centuryThaiWatercolor, gold-colored pigments, and lacquer over brass layer on pasteboard
19th centuryPersianIvory with velvet lining
18th centuryBritishMetal
19th centuryFrenchLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques
16th-17th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with silver and raden (mother-of-pearl) inlays; metal fittings
18th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; lead-alloy fittings
18th centuryJapanesePale green neprhite; the inscription picked out in gold
19th centuryChineseEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with spurious overglaze red enamel mark reading "Chenghua nian zhi" on the base
17th centuryChineseWood
18th centuryAmericanCeladon ware: light gray stoneware with light bluish-green celadon glaze with a lavender splash on cover; with a square seal reading "Minoru" mpressed into the unglazed base before firing
20th centuryJapanese