2.54 x 4.76 x 3.49 cm (1 x 1 7/8 x 1 3/8 in.)
Lacquer on wood
18th-19th centuryJapaneseLacquer on wood with decoration in gold, silver, and aokin (gold-silver) utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; gilt-copper fittings [tray with decoration of cranes in takamaki-e (high-relief sprinkled design) may be a later replacement]
18th centuryJapaneseMonochrome lead-glazed ware: molded white earthenware with lead-fluxed emerald-green glaze on the exterior and lead-fluxed clear glaze mottled with green on the interior. Probably from kilns at Luoyang or Gongxian, Henan province.
9th-10th centuryChinesePainted celadon ware: molded light gray stoneware with celadon glaze over decoration painted in copper-red and in black and white slips. Reportedly recovered in Changhŭng, South Chŏlla province, in 1963.
13th centuryKoreanIvory plaques mounted on oak, with gilt bronze fittings
12th centuryItalianWood
19th centuryAmericanIron or bronze with decoration applied in gold; with small cartouche on the cover reading "Kingakuji" and a maker's mark in gold on the base; the interior of box and cover lined with sheet gold, the linings cursorily engraved with landscapes
19th-20th centuryJapaneseBlue-and-white ware: porcelain with decoration painted in underglaze cobalt blue
19th-20th centuryChineseWhite stoneware with clear glaze
8th-9th centuryChineseLacquered wood with inlays of tortoiseshell, twisted wire, and metal filings
19th centuryKoreanLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and harigaki (linear incising) techniques; lead-alloy fittings
16th centuryJapaneseWatercolor, gold-colored pigments, and lacquer over brass layer on pasteboard
19th centuryPersian