12th century
Four iron feet, each different from the other. One is a bolt which penetrates through to the interior of the casket. Nails project inside the lid from the top of the lockplate. Two hinges. Brass handle with five lobes. Spots of wax? inside lid of box.
28 x 22.5 x 22.5 cm (11 x 8 7/8 x 8 7/8 in.) height with handle: 29.5 cm (11 5/8 in.)
Duke of Brunswick,by descent through family. [Goldschmidt Galleries], sold; to the Fogg Art Museum, 1930.
Approximately 20 sheets of brass, steel, and nickel silver joined with gray lead-tin solder
19th-20th centuryWood with metal fittings
20th centuryKoreanBronze
7th-10th centuryChineseOpaque watercolor, gold-colored pigments, brass chips, and lacquer over brass layer on pasteboard
19th centuryLacquer on wood with decoration in gold, silver, lacquer paste, lead, ceramic and shell inlays; stone and metal fittings
18th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques; metal fittings
17th centuryJapaneseBlue-and-white ware: porcelain with decoration painted in underglaze cobalt blue
19th-20th centuryChineseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet gold and silver appliqué) techniques, with applied kirigane (cut gold and silver) and with sheet-lead inlays; stone, metal, and enamel fittings
17th centuryJudaeanWood
19th centuryAmericanLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and tortoiseshell inlays
17th-18th centuryJapaneseLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, with applied kirigane (cut gold and silver) and with glazed-ceramic, ivory, mother-of-pearl, coral, and malachite inlays; stone and metal fittings
18th centuryJapaneseHuangpu ware: light gray stoneware covered all over with white slip, the decoration painted in localized areas of discontinuous dark brown glaze. From the Huangpu kilns, Tongchuan, Shaanxi province
9th centuryChinese