12th century
Four iron feet, each different from the other. One is a bolt which penetrates through to the interior of the casket. Nails project inside the lid from the top of the lockplate. Two hinges. Brass handle with five lobes. Spots of wax? inside lid of box.
28 x 22.5 x 22.5 cm (11 x 8 7/8 x 8 7/8 in.) height with handle: 29.5 cm (11 5/8 in.)
Duke of Brunswick,by descent through family. [Goldschmidt Galleries], sold; to the Fogg Art Museum, 1930.
Lacquer on wood
JapaneseGrayish nephrite with off-white inclusions
18th-19th centuryChineseLacquer on wood with Namban-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and harigaki (linear incising) techniques, and with raden (mother-of-pearl) inlays; metal fittings
16th-17th centuryJapaneseLacquer, red and black
ChineseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques; openwork bronze cover and copper interior fittings
17th-18th centuryJapaneseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques and with glazed-ceramic and raden (mother-of-pearl) inlays; stone and lacquered-copper fittings
18th centuryJapaneseWood, secured with wooden pegs, and with brass fittings
19th centuryKoreanBlue-and-white ware: porcelain with decoration reserved in white against a cobalt blue ground, the central medallion on the cover with molded decoration under pale, sky-blue glaze
18th-19th centuryChineseLacquer on wood with decoration in tsugaru-nuri (layered sabi urushi [thick lacquer paste] and colored lacquers with sprinkled silver powder and raden [mother-of-pearl] flakes, textured with circular gouging), colored lacquers, gold, and sabi urushi utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and raden inlays
18th centuryJapaneseMetal
19th centuryFrenchLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques
18th centuryJapaneseSilver
19th centuryPersian