19th-mid 20th century
H. 2.1 x Diam. 5.7 cm (13/16 x 2 1/4 in.)
Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and harigaki (linear incising) techniques, and with applied kirigane (cut gold and silver) and shibuchi (copper-silver alloy); metal fittings
17th-18th centuryJapanesePale greenish white nephrite with russet skin
16th centuryChineseLacquer on wood
JapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with silver and raden (mother-of-pearl) inlays; metal fittings
18th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanLiao sancai ("three-color") ware: molded ivory-hued earthenware with lead-fluxed, emerald-green and caramel-yellow glazes
11th-12th centuryChineseBamboo with carved and stained surface and with brass fittings
18th-19th centuryKoreanLacquer
17th-19th centuryJapaneseInlaid celadon ware: light gray stoneware with celadon glaze over incised decoration partially inlaid in black and white slips
12th centuryKoreanLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, applied kirigane (cut gold and silver), and [later] raden (mother-of-pearl) inlays; metal fittings
15th-16th centuryJapanese