mid-19th century
This small box was likely intended to hold snuff. The exterior of the hinged lid is decorated with a scene of two young lovers embracing on a terrace. The foreground holds a sheathed dagger, a flintlock, and a tray with refreshments. Clean-shaven with light-colored eyes and dressed in a frock coat, the bare-footed male lover perhaps represents a European. The female lover is dressed in Qajar garments, including an aigrette in her hair, a jacket with turned-back cuffs, and a short flaring skirt of the type that became popular in Iran in the later 19th century, following Nasir al-Din Shah Qajar’s travels in Europe. The young woman glances rightward, in the direction of a frowning older man, presumably her husband. Sporting a prominent mustache and a Qajar hat, he leans into the terrace from outdoors. An elderly woman in headscarf appears at the left, partially hidden by two large cushions. Her finger is raised to her mouth in the conventional gesture of wonder or dismay. The vignette is framed by gold scrollwork and bordered by floating bouquets.
2.4 × 6.4 × 9.2 cm (15/16 × 2 1/2 × 3 5/8 in.)
Kazem R. Kooros, Houston, Texas (by 1969), gift; to his son Saeed Kouros, Houston, Texas (by 1979), gift; to the Harvard Art Museums, 2018.
Lacquer on wood
19th centuryThaiLiao sancai ("three-color") ware: molded ivory-hued earthenware with lead-fluxed, emerald-green and caramel-yellow glazes
11th-12th centuryChineseLacquer on wood with decoration in gold, silver, and aokin (gold-silver) utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; gilt-copper fittings [tray with decoration of cranes in takamaki-e (high-relief sprinkled design) may be a later replacement]
18th centuryJapaneseLacquer on wood with decoration in gold, silver, lacquer paste, lead, ceramic and shell inlays; stone and metal fittings
18th centuryJapaneseLacquer on wood with decoration in gold utilizing the "hiramaki-e" (low-relief sprinkled design) and "kanagai" (sheet-gold appliqué) techniques
18th-19th centuryJapaneseQingbai ware: molded porcelain with pale sky-blue glaze
13th centuryChineseSilver, gilt
19th centuryBritishMetal
18th-19th centuryRussianBlue-and-white ware: porcelain with decoration reserved in white against a cobalt blue ground, the central medallion on the cover with molded decoration under pale, sky-blue glaze
18th-19th centuryChineseWhite stoneware with russet-brown glaze
20th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with raden (mother-of-pearl) inlays
17th-18th centuryJapaneseIvory with velvet lining
18th centuryBritish