mid-19th century
This small box was likely intended to hold snuff. The exterior of the hinged lid is decorated with a scene of two young lovers embracing on a terrace. The foreground holds a sheathed dagger, a flintlock, and a tray with refreshments. Clean-shaven with light-colored eyes and dressed in a frock coat, the bare-footed male lover perhaps represents a European. The female lover is dressed in Qajar garments, including an aigrette in her hair, a jacket with turned-back cuffs, and a short flaring skirt of the type that became popular in Iran in the later 19th century, following Nasir al-Din Shah Qajar’s travels in Europe. The young woman glances rightward, in the direction of a frowning older man, presumably her husband. Sporting a prominent mustache and a Qajar hat, he leans into the terrace from outdoors. An elderly woman in headscarf appears at the left, partially hidden by two large cushions. Her finger is raised to her mouth in the conventional gesture of wonder or dismay. The vignette is framed by gold scrollwork and bordered by floating bouquets.
2.4 × 6.4 × 9.2 cm (15/16 × 2 1/2 × 3 5/8 in.)
Kazem R. Kooros, Houston, Texas (by 1969), gift; to his son Saeed Kouros, Houston, Texas (by 1979), gift; to the Harvard Art Museums, 2018.
Stoneware with brown glaze
9th centuryChineseMetal structure with plastic laminate
20th centuryBritishLacquer on wood
JapaneseMaki-e designs in gold and silver on nashi-ji lacquer ground
19th centuryJapaneseWood, secured with wooden pegs, and with brass fittings
19th centuryKoreanMonochrome lead-glazed ware: molded white earthenware with lead-fluxed emerald-green glaze on the exterior and lead-fluxed clear glaze mottled with green on the interior. Probably from kilns at Luoyang or Gongxian, Henan province.
9th-10th centuryChineseLacquer on wood
19th centuryThaiPale greenish white nephrite
18th-19th centuryChineseBlue-and-white ware: porcelain with decoration reserved in white against a cobalt blue ground, the central medallion on the cover with molded decoration under pale, sky-blue glaze
18th-19th centuryChineseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and harigaki (linear incising) techniques; lead-alloy fittings
16th centuryJapanesePorcelain with enamels and gold
19th centuryGermanPale greenish white nephrite; the inscription picked out in gold
19th centuryChinese