mid-19th century
This small box was likely intended to hold snuff. The exterior of the hinged lid is decorated with a scene of two young lovers embracing on a terrace. The foreground holds a sheathed dagger, a flintlock, and a tray with refreshments. Clean-shaven with light-colored eyes and dressed in a frock coat, the bare-footed male lover perhaps represents a European. The female lover is dressed in Qajar garments, including an aigrette in her hair, a jacket with turned-back cuffs, and a short flaring skirt of the type that became popular in Iran in the later 19th century, following Nasir al-Din Shah Qajar’s travels in Europe. The young woman glances rightward, in the direction of a frowning older man, presumably her husband. Sporting a prominent mustache and a Qajar hat, he leans into the terrace from outdoors. An elderly woman in headscarf appears at the left, partially hidden by two large cushions. Her finger is raised to her mouth in the conventional gesture of wonder or dismay. The vignette is framed by gold scrollwork and bordered by floating bouquets.
2.4 × 6.4 × 9.2 cm (15/16 × 2 1/2 × 3 5/8 in.)
Kazem R. Kooros, Houston, Texas (by 1969), gift; to his son Saeed Kouros, Houston, Texas (by 1979), gift; to the Harvard Art Museums, 2018.
Approximately 20 sheets of brass, steel, and nickel silver joined with gray lead-tin solder
20th centuryMoroccanQingbai ware: molded porcelain with pale sky-blue glaze
13th centuryChineseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and originally with inlays [now lost]; stone and metal fittings
16th-17th centuryJapaneseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays; stone and metal fittings
17th centuryJapaneseInlaid celadon ware: light gray stoneware with celadon glaze over incised decoration partially inlaid in black and white slips
12th centuryKoreanBlue-and-white ware: porcelain with decoration reserved in white against a cobalt blue ground, the central medallion on the cover with molded decoration under pale, sky-blue glaze
18th-19th centuryChineseBlue-and-white ware: porcelaneous white stoneware with decoration painted in underglaze cobalt-blue
15th centuryAnnameseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centurySilver
17th centuryDutch?Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques
16th-17th centuryJapaneseMetal structure with plastic laminate
20th centuryBritish