mid-19th century
This small box was likely intended to hold snuff. The exterior of the hinged lid is decorated with a scene of two young lovers embracing on a terrace. The foreground holds a sheathed dagger, a flintlock, and a tray with refreshments. Clean-shaven with light-colored eyes and dressed in a frock coat, the bare-footed male lover perhaps represents a European. The female lover is dressed in Qajar garments, including an aigrette in her hair, a jacket with turned-back cuffs, and a short flaring skirt of the type that became popular in Iran in the later 19th century, following Nasir al-Din Shah Qajar’s travels in Europe. The young woman glances rightward, in the direction of a frowning older man, presumably her husband. Sporting a prominent mustache and a Qajar hat, he leans into the terrace from outdoors. An elderly woman in headscarf appears at the left, partially hidden by two large cushions. Her finger is raised to her mouth in the conventional gesture of wonder or dismay. The vignette is framed by gold scrollwork and bordered by floating bouquets.
2.4 × 6.4 × 9.2 cm (15/16 × 2 1/2 × 3 5/8 in.)
Kazem R. Kooros, Houston, Texas (by 1969), gift; to his son Saeed Kouros, Houston, Texas (by 1979), gift; to the Harvard Art Museums, 2018.
Silver with parcel gilding
3rd century BCE-3rd century CEChineseOff-white stoneware with pale celadon glaze over decoration applied in white slip, the decoration embellished with incising and with touches of iron-brown slip in localized areas. Possibly from the Yaozhou kilns, near Tongchuan, Shaanxi province.
9th centuryChineseOlive wood
European?Silver with parcel gilding
3rd century BCE-3rd century CEChineseLacquer on wood with Namban-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and harigaki (linear incising) techniques, and with raden (mother-of-pearl) inlays; metal fittings
16th-17th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques; metal fittings and silk cord
18th centuryJapaneseInlaid celadon ware: light gray stoneware with celadon glaze over incised decoration and over decoration inlaid in black and white slips
13th centuryKoreanQingbai ware: molded porcelain with pale sky-blue glaze
13th centuryChineseApproximately 20 sheets of brass, steel, and nickel silver joined with gray lead-tin solder
19th-20th centurySilver
18th centuryBritishSilver
17th centuryDutch?Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques, and with applied kirigane (cut gold and silver); metal fittings and silk cord
18th centuryJapanese