Cosmetic case?

Maki-e lacquer;

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet gold and silver appliqué) techniques, with applied kirigane (cut gold and silver) and with sheet-lead inlays; stone, metal, and enamel fittings

Lacquer on wood

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with silver and raden (mother-of-pearl) inlays; metal fittings

Lacquer on wood

Wood

Lacquer on wood with decoration in gold utilizing the togidashi maki-e (sprinkled design revealed by polishing) technique; stone and gilt-copper fittings

Monochrome lead-glazed ware: molded white earthenware with lead-fluxed emerald-green glaze on the exterior and lead-fluxed clear glaze mottled with green on the interior. Probably from kilns at Luoyang or Gongxian, Henan province.

Qingbai ware: molded porcelain with pale sky-blue glaze

Yue ware: light gray stoneware with celadon glaze over incised decoration. From the Yue kilns at Shanglinhu, Zhejiang province.

Inlaid celadon ware: light gray stoneware with celadon glaze over incised decoration and over decoration inlaid in black and white slips

Pale greenish white nephrite with russet skin