Lacquer on wood with Namban-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and harigaki (linear incising) techniques, and with raden (mother-of-pearl) inlays; metal fittings

16th-17th centuryJapanese

Boxes

Snuff Box

Thomas Mutter, 1837-1838

Silver

19th centuryBritish

Boxes

Mirror Box (Kagamibako) and Tiered Incense Container (Jūkōgō) with Flowering Clematis Design

Unknown Artist, Mid Edo period, early 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques

18th centuryJapanese

Boxes

Circular, Covered Cosmetic or Seal-Paste Box with Decoration of a Figure Attending a Vase of Blossoming Chrysanthemum Branches

Unknown Artist, 13th century

Inlaid celadon ware: light gray stoneware with celadon glaze over incised decoration and over decoration inlaid in black and white slips

Silver

Unidentified Artist, 18th century

Ivory with velvet lining

18th centuryBritish

Boxes

Circular Covered Box with Lotus Blossom Decor

Unknown Artist, 9th-10th century

Yue ware: light gray stoneware with celadon glaze over carved decoration. From the Yue kilns at Shanglinhu, Zhejiang province.

9th-10th centuryChinese

Boxes

Inkstone Box (Suzuribako) with Geometric Hare-Medallion Design

Unknown Artist, Early Edo period, late 17th century

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji (pictorial "pear-skinned" ground) techniques; stone and copper fittings

17th centuryJapanese

Boxes

Inkstone Box (Suzuribako) with Intertwined Pine and Cherry Tree Design

Unknown Artist, Early Edo period, early 17th century

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with applied kirigane (cut gold and silver) and silver inlays; stone, metal, and enamel fittings

17th centuryJapanese

Boxes

Wakasa-Nuri Inkstone Box (Suzuribako) with Double Inrō-Ensemble Design

Unknown Artist, Late Edo period, late 18thcentury-early 19th century

Lacquer on wood with decoration in wakasa-nuri (layered lacquer and gold foil over a thick base-coat impressed with various shapes and sprinkled with raden [mother-of-pearl] flakes), gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and togidashi maki-e (sprinkled design revealed by polishing) techniques, and with tsuishu (carved red lacquer), malachite, and carnelian inlays; stone and metal fittings

18th-19th centuryJapanese

Boxes

Pair of Covered Boxes

Benjamin Pyne, 1690-1691

Silver

17th centuryBritish