Qing dynasty, second half 19th century
Bronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanInlaid celadon ware: light gray stoneware with celadon glaze over incised decoration inlaid in white slip; the inner rim banded with metal
12th centuryKoreanLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques
18th centuryJapaneseLacquer
ChineseSilver with parcel gilding
3rd century BCE-3rd century CEChineseLacquer on wood with decoration in tsugaru-nuri (layered sabi urushi [thick lacquer paste] and colored lacquers with sprinkled silver powder and raden [mother-of-pearl] flakes, textured with circular gouging), colored lacquers, gold, and sabi urushi utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and raden inlays
18th centuryJapaneseIvory plaques mounted on oak, with gilt bronze fittings
12th centuryItalianLight gray stoneware with iron-saturated russet-brown and black glaze
20th centuryJapaneseBlue-and-white ware: porcelain with decoration painted in underglaze cobalt blue
19th-20th centuryChineseYaozhou ware: light gray stoneware with celadon glaze over carved decoration. From the Yaozhou kilns at Tongchuan, Shaanxi province.
11th-12th centuryChineseLacquer on wood
17th-19th centuryJapaneseLacquered Papier-mâché
19th centuryKorean