datable to 2008
Of hexagonal form, this dry lacquer tea caddy is made entirely of lacquer applied over a cloth core, the surface imitating the color and texture of an old bronze vessel. The top and sides have minutely executed décor in takamakie high relief gold and brown lacquer representing two flowers and twelve pine needles. The inside and the bottom are decorated with nashiji gold flakes; the bottom bears the artist's signature reading Mushū and written in black lacquer. The tea caddy comes with its original kiri-wood tomobako box which is inscribed on the side: Kanshitsu chaki "Sōshun", or "Dry Lacquer Tea Caddy 'Early Spring'"; the box bears the artist's signature reading Mushū; a square, black intaglio seal reading Mu Shū immediately follows the signature.
tea caddy and cover: H. 6.2 x Diam. 8.4 cm (2 7/16 x 3 5/16 in.)
Yamazaki Mushū (artist), Kyoto, Japan; through Erik Thomsen LLC Asian Art, New York; to Harvard Art Museum
Qingbai ware: molded porcelain with pale sky-blue glaze
13th centuryChineseSilver and wax
18th centuryBritishPaper over board, cardboard
19th centuryGermanSilver, gilt
19th centuryBritishWhite stoneware with russet-brown glaze
20th centuryJapaneseInlaid celadon ware: light gray stoneware with celadon glaze over incised decoration and over decoration inlaid in black and white slips
13th centuryKoreanLacquered wood: wooden core with light brown lacquer (possibly over a leather substrate) and inlays of mother-of-pearl, sharkskin or ray skin, wire, twisted wire, and metal fillings
18th-19th centuryKoreanTortoise shell
18th centuryFrenchPorcelain with enamels and gold
19th centuryGermanMetal
19th centuryFrenchInlaid celadon ware: light gray stoneware with celadon glaze over incised decoration partially inlaid in black and white slips
12th centuryKoreanLacquer on paulownia wood
Japanese