datable to 2008
Of hexagonal form, this dry lacquer tea caddy is made entirely of lacquer applied over a cloth core, the surface imitating the color and texture of an old bronze vessel. The top and sides have minutely executed décor in takamakie high relief gold and brown lacquer representing two flowers and twelve pine needles. The inside and the bottom are decorated with nashiji gold flakes; the bottom bears the artist's signature reading Mushū and written in black lacquer. The tea caddy comes with its original kiri-wood tomobako box which is inscribed on the side: Kanshitsu chaki "Sōshun", or "Dry Lacquer Tea Caddy 'Early Spring'"; the box bears the artist's signature reading Mushū; a square, black intaglio seal reading Mu Shū immediately follows the signature.
tea caddy and cover: H. 6.2 x Diam. 8.4 cm (2 7/16 x 3 5/16 in.)
Yamazaki Mushū (artist), Kyoto, Japan; through Erik Thomsen LLC Asian Art, New York; to Harvard Art Museum
Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques
18th centuryJapaneseWood
19th centuryTibetanBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanLacquer on wood with decoration in sumiaka (exposed cloth ground) and gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques and with gold and silver inlays; metal fittings
18th centuryJapanesePale greenish white nephrite
18th-19th centuryChineseMarble
European?Enameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with spurious overglaze red enamel mark reading "Chenghua nian zhi" on the base
17th centuryChineseYue ware: light gray stoneware with celadon glaze over incised decoration. From the Yue kilns at Shanglinhu, Zhejiang province.
10th centuryChineseIncised celadon ware: light gray stoneware with celadon glaze over incised decoration
11th centuryKoreanWhite stoneware with russet-brown glaze
20th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji ("pear-skinned" ground) techniques
17th centuryJapaneseKoryŏ-style inlaid celadon ware: light gray stoneware with celadon glaze over decoration inlaid in black and white slips
20th centuryKorean