datable to 2008
Of hexagonal form, this dry lacquer tea caddy is made entirely of lacquer applied over a cloth core, the surface imitating the color and texture of an old bronze vessel. The top and sides have minutely executed décor in takamakie high relief gold and brown lacquer representing two flowers and twelve pine needles. The inside and the bottom are decorated with nashiji gold flakes; the bottom bears the artist's signature reading Mushū and written in black lacquer. The tea caddy comes with its original kiri-wood tomobako box which is inscribed on the side: Kanshitsu chaki "Sōshun", or "Dry Lacquer Tea Caddy 'Early Spring'"; the box bears the artist's signature reading Mushū; a square, black intaglio seal reading Mu Shū immediately follows the signature.
tea caddy and cover: H. 6.2 x Diam. 8.4 cm (2 7/16 x 3 5/16 in.)
Yamazaki Mushū (artist), Kyoto, Japan; through Erik Thomsen LLC Asian Art, New York; to Harvard Art Museum
White ware: white stoneware with clear glaze over molded elements
8th-9th centuryChineseLacquer on wood with decoration in black, gold, silver, and red utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques
19th centuryJapaneseQingbai ware: molded porcelain with pale sky-blue glaze; with molded inscription reading "Wu Jia He ___" on the base
12th-13th centuryChineseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and togidashi maki-e (sprinkled design revealed by polishing) techniques, and with applied kirigane (cut gold and silver); metal fittings and silk cord
17th-18th centuryJapaneseWood
19th centuryAmericanLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques; metal fittings
17th centuryJapaneseGrayish nephrite with off-white inclusions
18th-19th centuryChineseLacquer on wood with decoration in sumiaka (exposed cloth ground) and gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques and with gold and silver inlays; metal fittings
18th centuryJapaneseRed lacquer with gold paint
ChineseLacquered wood: wooden core with light brown lacquer (possibly over a leather substrate) and inlays of mother-of-pearl, sharkskin or ray skin, wire, twisted wire, and metal fillings
18th-19th centuryKoreanInlaid celadon ware: light gray stoneware with celadon glaze over incised decoration partially inlaid in black and white slips
12th centuryKoreanWood
19th centuryTibetan