17th century
0.8 × 5 cm (5/16 × 1 15/16 in.)
Maida and George Abrams, Boston, gift; to Harvard Art Museums, 2021
Silver with parcel gilding
3rd century BCE-3rd century CEChineseLacquer on wood with decoration in black, gold, silver, and red utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques
19th centuryJapanesePale greenish white nephrite
18th centuryChineseCeramic
19th centuryEuropeanLacquer on woven bamboo with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays
17th centuryJapaneseBamboo with carved and stained surface and with brass fittings
18th-19th centuryKorean
Iron or bronze with decoration applied in gold; with small cartouche on the cover reading "Kingakuji" and a maker's mark in gold on the base; the interior of box and cover lined with sheet gold, the linings cursorily engraved with landscapes
19th-20th centuryJapaneseBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanSilver
17th centuryBritishLacquered wood with brass fittings and with inlays of mother of pearl, tortoiseshell, twisted wire, and metal filings
19th-20th centuryKoreanLacquer on wood with decoration in tsugaru-nuri (layered sabi urushi [thick lacquer paste] and colored lacquers with sprinkled silver powder and raden [mother-of-pearl] flakes, textured with circular gouging), colored lacquers, gold, and sabi urushi utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and raden inlays
18th centuryJapaneseRed lacquer with gold paint
Chinese