17th century
0.8 × 5 cm (5/16 × 1 15/16 in.)
Maida and George Abrams, Boston, gift; to Harvard Art Museums, 2021
Lacquered Papier-mâché
19th centuryKoreanLacquer on wood with Kōdaiji-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques; [modern] silver fittings
16th centuryJapaneseBlue-and-white ware: porcelain with decoration painted in underglaze cobalt blue; with underglaze cobalt blue mark reading "Da Qing Yongzheng nian zhi" on the base
19th centuryChineseSilver
18th centuryBritishLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; copper fittings
18th centuryJapaneseOlive wood
European?Enameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels
17th centuryChineseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques
16th-17th centuryJapaneseLacquered wood: wooden core with orange-red lacquer over black lacquer (over a paper substrate); with metal fittings
18th-19th centuryJapaneseWood
19th-20th centuryThaiLacquer on wood with decoration in tsugaru-nuri (layered sabi urushi [thick lacquer paste] and colored lacquers with sprinkled silver powder and raden [mother-of-pearl] flakes, textured with circular gouging), colored lacquers, gold, and sabi urushi utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and raden inlays
18th centuryJapaneseOpaque watercolor, gold-colored pigments, brass chips, and lacquer over brass layer on pasteboard
19th century