19th century
Amulet boxes such as these were worn in pairs, with a piece of cloth passing through the loops on the side to attach one box to each upper arm. In the center of each box lid is the bismallah, written in such a way as to form a pseudo-magic square. Around the edge of the lid and around the body are verses from the Qur'an. The boxes would also have contained miniature Qur'ans. The Qur'an was believed to have protective qualities, and so these amulets would have protected the wearer from harm, disease, misfortune, and the evil eye, and would have afforded him or her a general sense of well-being. Notes from the Glory and Prosperity exhibition, Feb - June 2002.
7 cm (2 3/4 in.)
Lacquer on wood
JapaneseLacquered wood with brass fittings and with inlays of mother of pearl, tortoiseshell, twisted wire, and metal filings
19th-20th centuryKoreanSilver
Unidentified cultureLacquer on wood
JapaneseSilver with parcel gilding
3rd century BCE-3rd century CEChineseLacquer on woven bamboo with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays
17th centuryJapaneseLacquer on wood with decoration in gold utilizing the "hiramaki-e" (low-relief sprinkled design) and "kanagai" (sheet-gold appliqué) techniques
18th-19th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) technique
18th centuryJapaneseIvory plaques mounted on oak, with gilt bronze fittings
12th centuryItalianLacquered Papier-mâché
19th centuryKoreanOpaque watercolor, gold-colored pigments, and lacquer over tin layer on pasteboard
19th century