19th century
Amulet boxes such as these were worn in pairs, with a piece of cloth passing through the loops on the side to attach one box to each upper arm. In the center of each box lid is the bismallah, written in such a way as to form a pseudo-magic square. Around the edge of the lid and around the body are verses from the Qur'an. The boxes would also have contained miniature Qur'ans. The Qur'an was believed to have protective qualities, and so these amulets would have protected the wearer from harm, disease, misfortune, and the evil eye, and would have afforded him or her a general sense of well-being. Notes from the Glory and Prosperity exhibition, Feb - June 2002.
7 cm (2 3/4 in.)
Wood
18th centuryAmericanBox containing reproductions of seventy-one works by Duchamp
20th centuryFrenchLacquer on wood
JapaneseLacquer on wood with decoration in gold
JapaneseLacquer on wood with decoration in painted gold and with thin mother-of-pearl inlays; metal fittings
18th centuryJapanesePale greenish white nephrite with russet skin
16th centuryChineseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques
16th-17th centuryJapaneseKamakura-bori (lacquer on carved wood)
18th centuryJapaneseLacquered wood with inlays of tortoiseshell, twisted wire, and metal filings
19th centuryKoreanLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; copper fittings
18th centuryJapaneseBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanEnamel
20th centuryGerman