19th century
Amulet boxes such as these were worn in pairs, with a piece of cloth passing through the loops on the side to attach one box to each upper arm. In the center of each box lid is the bismallah, written in such a way as to form a pseudo-magic square. Around the edge of the lid and around the body are verses from the Qur'an. The boxes would also have contained miniature Qur'ans. The Qur'an was believed to have protective qualities, and so these amulets would have protected the wearer from harm, disease, misfortune, and the evil eye, and would have afforded him or her a general sense of well-being. Notes from the Glory and Prosperity exhibition, Feb - June 2002.
7 cm (2 3/4 in.)
Dry lacquer; dark brown lacquer over fabric core, the decoration on the exterior in "takamakie" high relief gold and brown lacquer, the decoration on the interior and base in "nashiji" gold flakes; the base with signature reading "Mushū" in black lacquer
21st centuryJapaneseStoneware with brown glaze
9th centuryChineseInlaid celadon ware: light gray stoneware with celadon glaze over incised decoration inlaid in white slip; the inner rim banded with metal
12th centuryKoreanQingbai ware: molded porcelain with pale sky-blue glaze
13th centuryChineseRosewood with metal (brass and copper?) fittings, the interior of the box lined with silk damask
18th centuryKoreanPale greenish white nephrite
18th-19th centuryChineseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and kanagai (sheet-gold appliqué) techniques, and with applied kirigane (cut gold); stone and metal fittings
18th centuryJapaneseBox containing reproductions of seventy-one works by Duchamp
20th centuryFrenchCarved rhinoceros horn
17th centuryChineseSilver and wax
18th centuryBritishPale greenish white nephrite with white inclusions
18th-19th centuryChineseLacquer on wood with Namban-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and harigaki (linear incising) techniques, and with raden (mother-of-pearl) inlays; metal fittings
16th-17th centuryJapanese