9th-10th century
Silver-form, lobed box and cover with indented sides, the box supported on a splayed foot, the domed cover with stylized floral decor raised in thread-relief and lightly embellished with splashes of green; white earthenware with lead-fluxed copper-green splashed glaze over molded decoration; with Chinese ideograph of the surname Zhao (趙) raised in thread-relief on the base. Copper-splashed sancai ware. From northern China, Henan, Hebei, or Shaanxi province.
H. 6.5 x Diam. 6.8 cm (2 9/16 x 2 11/16 in.)
[J. J. Lally & Co., New York, 2002] sold; to Walter C. Sedgwick Foundation, Woodside, CA (2002-2006), partial gift; to Harvard University Art Museums, 2006.
Huangpu ware: light gray stoneware covered all over with white slip, the decoration painted in localized areas of discontinuous dark brown glaze. From the Huangpu kilns, Tongchuan, Shaanxi province
9th centuryChineseWood, secured with wooden pegs, and with brass fittings
19th centuryKoreanStoneware with brown glaze
9th centuryChinesePale greenish white nephrite with russet skin
16th centuryChineseLacquer on wood with decoration in tsugaru-nuri (layered sabi urushi [thick lacquer paste] and colored lacquers with sprinkled silver powder and raden [mother-of-pearl] flakes, textured with circular gouging), colored lacquers, gold, and sabi urushi utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and raden inlays
18th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques
18th centuryJapaneseTortoise shell
18th centuryFrenchLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with applied kirigane (cut gold and silver)
17th-18th centuryJapaneseCeladon ware: light gray stoneware with light bluish-green celadon glaze with a lavender splash on cover; with a square seal reading "Minoru" mpressed into the unglazed base before firing
20th centuryJapaneseBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanHan painted lacquer: reddish-brown and black lacquers over wooden core, with designs painted in lacquer and with metal mounts (probably tin)
2nd-1st century BCEChinese