Cigar Box

Lacquer on wood with decoration in zonsei-nuri (incised and painted lacquer) and gold utilizing the togidashi maki-e (sprinkled design revealed by polishing) technique; silk cord

Takamakie lacquer, nashiji gold flakes, and kirigane gold foil on a roiro black lacquer ground, the lower sides with nashiji gold flakes and bokashi kinpun gold dust, the inside and the bottom with dense nashiji gold flakes

Lacquer on wood with decoration in gold, silver, and aokin (gold-silver) utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; gilt-copper fittings [tray with decoration of cranes in takamaki-e (high-relief sprinkled design) may be a later replacement]

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) technique

Wood

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques

Mahogany and brass

Silver with parcel gilding

Opaque watercolor, gold-colored pigments, and lacquer on pasteboard

Cast iron with localized areas of gilding; the interior of the box and cover lined with hammered silver purportedly designed by Miochin (1624-1642)

Pale greenish white nephrite

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet gold and silver appliqué) techniques, with applied kirigane (cut gold and silver) and with sheet-lead inlays; stone, metal, and enamel fittings