Jade Circular Covered Incense Box with Peony Decor

Lacquer on wood with decoration in wakasa-nuri (layered lacquer and gold foil over a thick base-coat impressed with various shapes and sprinkled with raden [mother-of-pearl] flakes), gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and togidashi maki-e (sprinkled design revealed by polishing) techniques, and with tsuishu (carved red lacquer), malachite, and carnelian inlays; stone and metal fittings

Enameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with spurious overglaze red enamel mark reading "Chenghua nian zhi" on the base

Box containing reproductions of seventy-one works by Duchamp

Opaque watercolor, gold-colored pigments, brass chips, and lacquer over brass layer on pasteboard

Tortoise shell, with brass fittings and painted lid

Metal

Lacquered wood: wooden core with orange-red lacquer over black lacquer (over a paper substrate); with metal fittings

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques

White stoneware with clear glaze

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), and nashiji ("pear-skinned" ground) techniques

Box with mounted Plexiglas wheel and various sample materials

Lacquer on wood