Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet gold and silver appliqué) techniques; metal fittings

15th-16th centuryJapanese

Boxes

Box

Meissen Porcelain Manufactory, c. 1870

Porcelain with enamels and gold

19th centuryGerman

Boxes

Mirror Box (Kagamibako) with Double Fan Design

Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques

18th centuryJapanese

Boxes

Covered Hexagonal Box, the Cover with a Stylized "Double Hŭi" Character, the Box with Characters round its Sides Walls Reading Su, Pok, Kang, Nyŏng, Ta, and Nam, all the Characters on Box and Cover Set against a Nwi-mun (Chinese, Leiwen) Ground

Unknown Artist, late 19th-early 20th century

Bronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color

19th-20th centuryKorean

Boxes

Circular Covered Box with Decoration of a Parrot in Flight Bearing a Floral Spray

Unknown Artist, third quarter 10th century

Yue ware: light gray stoneware with celadon glaze over incised decoration. From the Yue kilns at Shanglinhu, Zhejiang province.

10th centuryChinese

Boxes

Incense Container (Kōgō) with Pea Pod and Vine Design

Ogata Kōrin 尾形光琳, Early Edo period, late 17th century-early 18th century

Lacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with textured sheet-lead and raden (mother-of-pearl) inlays

17th-18th centuryJapanese