1831-1832
Oblong, the base, sides and hinged cover with continuous engine-turning, the cover with vacant rectangular cartouche and foliate thumb-piece.
1.6 x 7.3 x 4.1 cm (5/8 x 2 7/8 x 1 5/8 in.) 74.5 g
Edwin Hale Abbot Jr., Cambridge, MA, bequest; to Fogg Art Museum, 1966.
Metal
18th-19th centuryRussianLacquer on woven bamboo with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays
17th centuryJapaneseMixed copper alloy, lid possibly tinned
6th-7th centuryByzantineYaozhou ware: light gray stoneware with celadon glaze over carved decoration. From the Yaozhou kilns at Tongchuan, Shaanxi province.
11th-12th centuryChineseMaki-e lacquer;
17th-19th centuryJapanesePale greenish white nephrite
18th centuryChineseEarthenware with green splashed lead glaze
9th-10th centuryChineseRed lacquer
ChineseCizhou ware: light gray stoneware with clear glaze over decoration painted in a dark brown slip on a white slip ground
12th-13th centuryChineseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques and with glazed-ceramic and raden (mother-of-pearl) inlays; stone and lacquered-copper fittings
18th centuryJapaneseQingbai ware: molded porcelain with pale sky-blue glaze
13th centuryChineseLacquer on wood with decoration in sumiaka (exposed cloth ground) and gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques and with gold and silver inlays; metal fittings
18th centuryJapanese