1831-1832
Oblong, the base, sides and hinged cover with continuous engine-turning, the cover with vacant rectangular cartouche and foliate thumb-piece.
1.6 x 7.3 x 4.1 cm (5/8 x 2 7/8 x 1 5/8 in.) 74.5 g
Edwin Hale Abbot Jr., Cambridge, MA, bequest; to Fogg Art Museum, 1966.
Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with silver and raden (mother-of-pearl) inlays; metal fittings
18th centuryJapaneseBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanYue ware: light gray stoneware with celadon glaze over incised decoration. From the Yue kilns at Shanglinhu, Zhejiang province.
10th centuryChineseLight gray stoneware with iron-saturated russet-brown and black glaze
20th centuryJapaneseWhite ware: white stoneware with clear glaze over molded elements
8th-9th centuryChineseBamboo with carved and stained surface and with brass fittings
18th-19th centuryKoreanSilver with parcel gilding
3rd century BCE-3rd century CEChineseEarthenware with green splashed lead glaze
9th-10th centuryChineseQingbai ware: molded porcelain with pale sky-blue glaze
13th centuryChineseBrass
19th centuryPersianLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays; stone and metal fittings
17th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; lead-alloy fittings
18th centuryJapanese