1831-1832
Oblong, the base, sides and hinged cover with continuous engine-turning, the cover with vacant rectangular cartouche and foliate thumb-piece.
1.6 x 7.3 x 4.1 cm (5/8 x 2 7/8 x 1 5/8 in.) 74.5 g
Edwin Hale Abbot Jr., Cambridge, MA, bequest; to Fogg Art Museum, 1966.
Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques, and with applied kirigane (cut gold and silver); metal fittings and silk cord
18th centuryJapaneseSilver
18th centuryBritishLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with sprinkled raden (mother-of-pearl) flakes
16th-17th centuryJapaneseMetal
19th centuryFrenchLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), and nashiji ("pear-skinned" ground) techniques
18th centuryJapaneseKamakura-bori; black and cinnabar lacquers over a carved wooden core
14th-15th centuryJapaneseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques, and with applied kirigane (cut gold and silver)
18th centuryJapaneseWood
18th centuryAmericanEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels
17th centuryChineseRed lacquer
ChineseOff-white stoneware with pale celadon glaze over decoration applied in white slip, the decoration embellished with incising and with touches of iron-brown slip in localized areas. Possibly from the Yaozhou kilns, near Tongchuan, Shaanxi province.
9th centuryChineseWhite ware: white stoneware with clear glaze over molded elements
8th-9th centuryChinese