18th-19th century
Opaque watercolor, gold-colored pigments, and lacquer over tin layer on pasteboard
19th centuryInlaid celadon ware: light gray stoneware with celadon glaze over incised decoration and over decoration inlaid in black and white slips
13th centuryKoreanLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and originally with inlays [now lost]; stone and metal fittings
16th-17th centuryJapaneseBlue-and-white ware: porcelain with decoration painted in underglaze cobalt blue
19th-20th centuryChineseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques; openwork bronze cover and copper interior fittings
17th-18th centuryJapaneseMaki-e designs in gold and silver on nashi-ji lacquer ground
JapaneseLacquer, brown with red underlayer.
ChineseMetal
18th-19th centuryRussianLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and with sheet-lead inlays; stone and metal fittings
17th-18th centuryJapaneseSilver
19th centuryFrenchLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) technique
18th centuryJapaneseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques, and with applied kirigane (cut gold and silver)
18th centuryJapanese