One of a Pair of Storage Boxes, with Decoration of Two Dragons Pursuing a Flaming Jewel and with a Hinged Cover Fitted with a Lock

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) technique

Koryŏ-style inlaid celadon ware: light gray stoneware with celadon glaze over decoration inlaid in black and white slips

Lacquer on wood with decoration in gold, silver, and aokin (gold-silver) utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; gilt-copper fittings [tray with decoration of cranes in takamaki-e (high-relief sprinkled design) may be a later replacement]

Lacquered wood with brass fittings and with inlays of mother of pearl, tortoiseshell, twisted wire, and metal filings

Box containing reproductions of seventy-one works by Duchamp

Off-white stoneware with pale celadon glaze over decoration applied in white slip, the decoration embellished with incising and with touches of iron-brown slip in localized areas. Possibly from the Yaozhou kilns, near Tongchuan, Shaanxi province.

Ivory plaques mounted on oak, with gilt bronze fittings

Silver

Takamakie lacquer, nashiji gold flakes, and kirigane gold foil on a roiro black lacquer ground, the lower sides with nashiji gold flakes and bokashi kinpun gold dust, the inside and the bottom with dense nashiji gold flakes

Huangpu ware: light gray stoneware with dark brown glaze. From the Huangpu kilns, Tongchuan, Yaozhou county, Shaanxi province

Lacquer on woven bamboo with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays

Lacquer on wood with Kōdaiji-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques; [modern] silver fittings