BoxesJapanese

BOX FOR LETTER

Classification

Boxes

Medium

Lacquer on wood

Culture

Japanese

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Related Artworks

Boxes

Covered Circular Incense Container

Nishikawa Minoru, ca. 1990

Celadon ware: light gray stoneware with light bluish-green celadon glaze with a lavender splash on cover; with a square seal reading "Minoru" mpressed into the unglazed base before firing

20th centuryJapanese

Boxes

Incense Burner (Kōro) with Autumn Flower Design

Unknown Artist, Early Edo period, late 17th century-early 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques; openwork bronze cover and copper interior fittings

17th-18th centuryJapanese

Boxes

Inkstone Box (Suzuribako) with Intertwined Pine and Cherry Tree Design

Unknown Artist, Early Edo period, early 17th century

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with applied kirigane (cut gold and silver) and silver inlays; stone, metal, and enamel fittings

17th centuryJapanese

Boxes

Drawered Incense Pillow (Kōmakura) with Crest and Fern-Scroll Design

Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) technique

18th centuryJapanese

Boxes

Mirror Box (Kagamibako) and Tiered Incense Container (Jūkōgō) with Flowering Clematis Design

Unknown Artist, Mid Edo period, early 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques

18th centuryJapanese

Boxes

RECTANGULAR LACQUER BOX, POLYCHROME.

Unknown Artist

Lacquer

Japanese

Boxes

Calabash-Shaped Box for Sweatmeats with Decoration of Maple Leaves

Unknown Artist, 19th century

Maki-e lacquer

19th centuryJapanese

Boxes

BOX WITH PLAIN LACQUER

Unknown Artist

Lacquer on wood

Japanese

Boxes

Inkstone Box (Suzuribako) with Geometric Hare-Medallion Design

Unknown Artist, Early Edo period, late 17th century

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji (pictorial "pear-skinned" ground) techniques; stone and copper fittings

17th centuryJapanese

Boxes

Violin Case with Landscape Decoration

Unknown Artist, Meiji period, circa 1868-1895

Lacquer on wood with decoration in black and gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; shakudo (copper-gold alloy) fittings

19th centuryJapanese

Boxes

Wakasa-Nuri Inkstone Box (Suzuribako) with Double Inrō-Ensemble Design

Unknown Artist, Late Edo period, late 18thcentury-early 19th century

Lacquer on wood with decoration in wakasa-nuri (layered lacquer and gold foil over a thick base-coat impressed with various shapes and sprinkled with raden [mother-of-pearl] flakes), gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and togidashi maki-e (sprinkled design revealed by polishing) techniques, and with tsuishu (carved red lacquer), malachite, and carnelian inlays; stone and metal fittings

18th-19th centuryJapanese

Boxes

Circular Incense Container (Kōgō) with Paulownia Design

Unknown Artist, Momoyama period, 16th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and harigaki (linear incising) techniques; lead-alloy fittings

16th centuryJapanese