19th century
including cover: H. 3 x Diam. 8.8 cm (1 3/16 x 3 7/16 in.)
Bronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanRattan
19th centuryIndonesianLacquered Papier-mâché
19th centuryKoreanKamakura-bori (lacquer on carved wood)
18th centuryJapaneseRed lacquer with gold paint
ChineseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques
17th-18th centuryJapaneseHan painted lacquer: reddish-brown and black lacquers over wooden core, with designs painted in lacquer and with metal mounts (probably tin)
2nd-1st century BCEChineseLacquer on wood with decoration in tsugaru-nuri (layered sabi urushi [thick lacquer paste] and colored lacquers with sprinkled silver powder and raden [mother-of-pearl] flakes, textured with circular gouging), colored lacquers, gold, and sabi urushi utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and raden inlays
18th centuryJapaneseSilver
17th centuryDutch?Huangpu ware: light gray stoneware covered all over with white slip, the decoration painted in localized areas of discontinuous dark brown glaze. From the Huangpu kilns, Tongchuan, Shaanxi province
9th centuryChineseLacquer on wood with decoration in black and gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; shakudo (copper-gold alloy) fittings
19th centuryJapaneseLacquered wood: wooden core with light brown lacquer (possibly over a leather substrate) and inlays of mother-of-pearl, sharkskin or ray skin, wire, twisted wire, and metal fillings
18th-19th centuryKorean