19th-20th century
Small boxes like this one were used to hold small Qur'ans, prayer manuals, or talismanic texts, which were written on long sheets of paper and folded repeatedly or rolled to fit the confines of their containers. The front of the box is decorated with a non-monetary coin surrounded by stylized vine-and-leaf motifs in relief. The coin features a six-pointed star popularly known as the Seal of Solomon, which—since Solomon was believed to have authority over supernatural powers—often adorns talismanic objects and texts. An arched lid closes the box; cords passed through its two handles would have allowed it to be suspended, providing protection to a place or a person.
16 x 18.2 x 2.4 cm (6 5/16 x 7 3/16 x 15/16 in.)
Stanford and Norma Jean Calderwood, Belmont, MA (by 1992-2002), gift; to Harvard Art Museums, 2002.
Lacquer on wood
JapaneseBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanBlue-and-white ware: porcelain with decoration reserved in white against a cobalt blue ground, the central medallion on the cover with molded decoration under pale, sky-blue glaze
18th-19th centuryChineseTakamakie lacquer, nashiji gold flakes, and kirigane gold foil on a roiro black lacquer ground, the lower sides with nashiji gold flakes and bokashi kinpun gold dust, the inside and the bottom with dense nashiji gold flakes
20th centuryJapaneseWood with metal fittings
20th centuryKoreanLacquered Papier-mâché
19th centuryKoreanLacquer on wood with decoration in black and gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; shakudo (copper-gold alloy) fittings
19th centuryJapaneseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and originally with inlays [now lost]; stone and metal fittings
16th-17th centuryJapaneseLacquer
19th centuryPersianInlaid celadon ware: light gray stoneware with celadon glaze over incised decoration and over decoration inlaid in black and white slips
13th centuryKorean