after 1912
Small boxes like this one were used to hold small Qur'ans, prayer manuals, or talismanic texts, which were written on long sheets of paper and folded repeatedly or rolled to fit the confines of their containers. The front of the box is decorated with a coin surrounded by stylized vine-and-leaf motifs in relief. The coin features a six-pointed star popularly known as the Seal of Solomon, which—since Solomon was believed to have authority over supernatural powers—often adorns talismanic objects and texts. The coin inscribed as the Dinar of Yusuf belongs to Yusuf bin Hasan, who ruled Morocco between 1912 and 1927 as a French Colony. Based on the reverse of another coin of the same type, the full inscription includes the minting date and place "1331 Paris" corresponding to 1912–1913, the year Yusuf b. Hassan ascended the throne. An arched lid closes the box; cords passed through its two handles would have allowed it to be suspended, providing protection to a place or a person.
16 x 18.2 x 2.4 cm (6 5/16 x 7 3/16 x 15/16 in.)
Stanford and Norma Jean Calderwood, Belmont, MA (by 1992-2002), gift; to Harvard Art Museums, 2002.
Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; lead-alloy fittings
18th centuryJapaneseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and with sheet-lead inlays; stone and metal fittings
17th-18th centuryJapaneseWood
19th centuryAmericanBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanLacquer on wood
JapaneseLacquer on wood with decoration in black and gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; shakudo (copper-gold alloy) fittings
19th centuryJapaneseWatercolor, gold-colored pigments, and lacquer over brass layer on pasteboard
19th centuryPersianRed lacquer
ChineseKamakura-bori; black and cinnabar lacquers over a carved wooden core
14th-15th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques; metal fittings
17th centuryJapaneseKoryŏ-style inlaid celadon ware: light gray stoneware with celadon glaze over decoration inlaid in black and white slips
20th centuryKoreanLacquer on wood with decoration in gold
Japanese