BoxesJapanese

BOX WITH PLAIN LACQUER

Classification

Boxes

Medium

Lacquer on wood

Culture

Japanese

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Related Artworks

Boxes

Inkstone Box (Suzuribako) with Pine and Plum Tree Design

Unknown Artist, Late Muromachi or Momoyama period, late 16th-17th century

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and originally with inlays [now lost]; stone and metal fittings

16th-17th centuryJapanese

Boxes

Writing Box with Decoration of Moon and Autumn Grasses, and with an assortment of writing implements including an ink stone, a metal water dropper, two covered brushes, and two covered knives (for correcting mistakes)

Unknown Artist, 19th century

Maki-e designs in gold and silver lacquers on nashiji lacquer ground

19th centuryJapanese

Boxes

Zonsei-nuri Medicine Container (Inrō) with Raiden (Thunder-God) Design

Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in zonsei-nuri (incised and painted lacquer) and gold utilizing the togidashi maki-e (sprinkled design revealed by polishing) technique; silk cord

18th centuryJapanese

Boxes

Oval Tsugaru-nuri Inkstone Box (Suzuribako) with Sage, Attendant, and Crane Design

Ogawa Haritsu, Mid Edo period, early 18th century

Lacquer on wood with decoration in tsugaru-nuri (layered sabi urushi [thick lacquer paste] and colored lacquers with sprinkled silver powder and raden [mother-of-pearl] flakes, textured with circular gouging), colored lacquers, gold, and sabi urushi utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and raden inlays

18th centuryJapanese

Boxes

Kōdaiji Comb Box (Kushibako) with Flowering Clematis Design

Unknown Artist, Early Edo period, first half of 17th century

Lacquer on wood with Kōdaiji-style decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji ("pear-skinned" ground) techniques; gilt-copper fittings

17th centuryJapanese

Boxes

"Koto"(Musical Instrument)-Shaped Poem Box with designs of Bugaku Dancers and Cherry Tree

Unknown Artist, 17th-19th century

Maki-e lacquer;

17th-19th centuryJapanese

Lacquer on wood

Inkstone Box (Suzuribako) with Geometric Hare-Medallion Design

Unknown Artist, Early Edo period, late 17th century

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji (pictorial "pear-skinned" ground) techniques; stone and copper fittings

17th centuryJapanese

Boxes

Inkstone Box (Suzuribako) with Plovers and Gabion Design

Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, with applied kirigane (cut gold and silver) and with glazed-ceramic, ivory, mother-of-pearl, coral, and malachite inlays; stone and metal fittings

18th centuryJapanese

Boxes

Hiranatsume Spring and Autumn Tea Caddy with Decoration of Cherry Blossoms and Maple Leaves

Unknown Artist, 1920-1930

Takamakie lacquer, nashiji gold flakes, and kirigane gold foil on a roiro black lacquer ground, the lower sides with nashiji gold flakes and bokashi kinpun gold dust, the inside and the bottom with dense nashiji gold flakes

20th centuryJapanese

Boxes

Drawered Incense Pillow (Kōmakura) with Crest and Fern-Scroll Design

Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) technique

18th centuryJapanese

Boxes

Scroll Box (Fubako) with Decoration of Large Stylized Crests

Unknown Artist, Late Edo period, 18th-19th century

Lacquer on wood with decoration in gold utilizing the "hiramaki-e" (low-relief sprinkled design) and "kanagai" (sheet-gold appliqué) techniques

18th-19th centuryJapanese