BoxesJapanese

BOX WITH PLAIN LACQUER

Classification

Boxes

Medium

Lacquer on wood

Culture

Japanese

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Related Artworks

Boxes

Kōdaiji Scroll Box (Fubako) with Lozenge and Crest Design

Unknown Artist, Momoyama period, late 16th century

Lacquer on wood with Kōdaiji-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques; [modern] silver fittings

16th centuryJapanese

Boxes

Long Scroll Box (Nagafubako) with Wild-Carnation Crest Design

Unknown Artist, Style of the Muromachi period, late 15th or early 16th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet gold and silver appliqué) techniques; metal fittings

15th-16th centuryJapanese

Boxes

Tea-Whisk Holder (Chasenzutsu) with Paulownia Crest Design

Unknown Artist, Early Edo period, 17th century-18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with raden (mother-of-pearl) inlays

17th-18th centuryJapanese

Boxes

Tiered Incense Container (Jūkōgō) with Crane, Turtle, Pine, and Bamboo Design

Unknown Artist, Early Edo period, 17th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji ("pear-skinned" ground) techniques

17th centuryJapanese

Boxes

Tea Caddy (Natsume) with Paulownia Crest Design

Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) technique

18th centuryJapanese

Boxes

Incense Container (Kōgō) with Pea Pod and Vine Design

Ogata Kōrin 尾形光琳, Early Edo period, late 17th century-early 18th century

Lacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with textured sheet-lead and raden (mother-of-pearl) inlays

17th-18th centuryJapanese

Boxes

Inkstone Box (Suzuribako) with Blossoming Chrysanthemum Design

Unknown Artist, Early Edo period, 17th century

Lacquer on wood with decoration in gold utilizing the togidashi maki-e (sprinkled design revealed by polishing) technique; stone and gilt-copper fittings

17th centuryJapanese

Boxes

Incense-Game Set (Kōdōgubako) in the Form of a Birdcage with Flying Cuckoo Design

Unknown Artist, Muromachi and Edo period, 16th and 18th centuries

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with silver and raden (mother-of-pearl) inlays; metal fittings

18th centuryJapanese

Boxes

Letter Box with Decoration of Chang Liang on a Dragon Returning a Shoe to the Old Man on a Mule

Unknown Artist

Maki-e designs in gold and silver on nashi-ji lacquer ground

Japanese

Boxes

Circular Incense Container (Kōgō) with Paulownia Design

Unknown Artist, Momoyama period, 16th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and harigaki (linear incising) techniques; lead-alloy fittings

16th centuryJapanese

Boxes

Kōdaiji Incense Container (Kōgō) with Shell and Chrysanthemum Design

Unknown Artist, Momoyama period, late 16th to early 17th century

Lacquer on wood with Kōdaiji-style decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with applied kirigane (cut silver)

16th-17th centuryJapanese

Boxes

Violin Case with Landscape Decoration

Unknown Artist, Meiji period, circa 1868-1895

Lacquer on wood with decoration in black and gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; shakudo (copper-gold alloy) fittings

19th centuryJapanese