Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji (pictorial "pear-skinned" ground) techniques; stone and copper fittings
17th centuryJapaneseLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and tortoiseshell inlays
17th-18th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with silver and raden (mother-of-pearl) inlays; metal fittings
18th centuryJapaneseLacquer on wood with decoration in black, gold, silver, and red utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques
19th centuryJapaneseLacquer on wood with decoration in painted gold and with thin mother-of-pearl inlays; metal fittings
18th centuryJapaneseLacquer
18th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques
18th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; lead-alloy fittings
18th centuryJapaneseLacquer on wood with decoration in wakasa-nuri (layered lacquer and gold foil over a thick base-coat impressed with various shapes and sprinkled with raden [mother-of-pearl] flakes), gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and togidashi maki-e (sprinkled design revealed by polishing) techniques, and with tsuishu (carved red lacquer), malachite, and carnelian inlays; stone and metal fittings
18th-19th centuryJapaneseLacquer on wood with decoration in gold utilizing the togidashi maki-e (sprinkled design revealed by polishing) technique; stone and gilt-copper fittings
17th centuryJapaneseLacquer on wood with Kōdaiji-style decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji ("pear-skinned" ground) techniques; gilt-copper fittings
17th centuryJapaneseKamakura-bori; black and cinnabar lacquers over a carved wooden core
14th-15th centuryJapanese