
Celadon ware: light gray stoneware with light bluish-green celadon glaze with a lavender splash on cover; with a square seal reading "Minoru" mpressed into the unglazed base before firing
20th centuryJapaneseLacquer
JapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques; metal fittings
17th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji ("pear-skinned" ground) techniques; metal interior fittings
17th centuryJapaneseLacquer
17th-19th centuryJapaneseLacquer on wood with Kōdaiji-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques; [modern] silver fittings
16th centuryJapaneseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays; stone and metal fittings
17th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques, and with applied kirigane (cut gold and silver); metal fittings and silk cord
18th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) technique
18th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques
18th centuryJapaneseLacquer on wood with decoration in gold utilizing the togidashi maki-e (sprinkled design revealed by polishing) technique; stone and gilt-copper fittings
17th centuryJapaneseLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with sprinkled raden (mother-of-pearl) flakes
16th-17th centuryJapanese