Late Muromachi or Momoyama period, late 16th-17th century
4.5 x 22.2 x 23.7 cm (1 3/4 x 8 3/4 x 9 5/16 in.)
Ivory plaques mounted on oak, with gilt bronze fittings
12th centuryItalianWatercolor, gold-colored pigments, and lacquer over brass layer on pasteboard
19th centuryPersianSilver with parcel gilding; with inscription incised on base and cover
5th-3rd century BCEChineseMetal
19th centuryFrenchMaki-e designs in gold and silver on nashi-ji lacquer ground
JapaneseHuangpu ware: light gray stoneware covered all over with white slip, the decoration painted in localized areas of discontinuous dark brown glaze. From the Huangpu kilns, Tongchuan, Shaanxi province
9th centuryChineseCeladon ware: light gray stoneware with light bluish-green celadon glaze with a lavender splash on cover; with a square seal reading "Minoru" mpressed into the unglazed base before firing
20th centuryJapaneseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with applied kirigane (cut gold and silver) and silver inlays; stone, metal, and enamel fittings
17th centuryJapaneseLacquer on wood with decoration in gold and seisei urushi (cooked lacquer) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; gold and shakudo (copper-gold alloy) fittings
18th centuryJapaneseLacquer
18th centuryJapaneseMetal
18th-19th centuryRussianPale greenish white nephrite with white inclusions
18th-19th centuryChinese