Late Muromachi or Momoyama period, late 16th-17th century
4.5 x 22.2 x 23.7 cm (1 3/4 x 8 3/4 x 9 5/16 in.)
Wood
19th centuryTibetanPale greenish white nephrite
18th centuryChineseLacquer on wood
JapaneseLacquer
17th-19th centuryJapaneseLacquer on wood with Namban-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and harigaki (linear incising) techniques, and with raden (mother-of-pearl) inlays; metal fittings
16th-17th centuryJapaneseLacquer on wood with Kōdaiji-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques; [modern] silver fittings
16th centuryJapaneseMaki-e designs in gold and silver on nashi-ji lacquer ground
JapaneseMaki-e lacquer;
17th-19th centuryJapaneseQingbai ware: molded porcelain with pale sky-blue glaze
13th centuryChineseEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Wanli nian zhi" within a double circle on the base
16th-17th centuryChineseCizhou ware: light gray stoneware with clear glaze over decoration painted in a dark brown slip on a white slip ground
12th-13th centuryChineseHuangpu ware: light gray stoneware covered all over with white slip, the decoration painted in localized areas of discontinuous dark brown glaze. From the Huangpu kilns, Tongchuan, Shaanxi province
9th centuryChinese