1920-1930
The slightly rounded walls of this small tea caddy rise almost vertically from the small, circular, countersunk base; they indent slightly near the top to form the vertical lip that receives and secures in place the cover, which has a flat top and vertical side walls. The exteriors of both cover and container are coated in roiro black lacquer; the cover and upper portion of the container's walls are emblazoned with a pattern of cherry blossoms and maple leaves in red and gold, which contrast with the black lacquer ground. Most of the leaves and blossoms--which are not connected and which lack any stems or scrolling foliage--are rendered in kirigane gold foil; a few leaves and blossoms are highlighted in red lacquer, while a few others are accentuated with bokashi kinpun gold dust. The lower portion of the container's exterior is embellished with nashiji gold flakes. The underside of the container and the interiors of both cover and container are enlivened with densely applied nashiji gold flakes, so that they superficially appear to have been rendered in a sparkling reddish gold lacquer. The overall impression is one of sumptuousness. The inclusion of both cherry blossoms and maple leaves in the decorative scheme makes this tea caddy appropriate for use in both spring and autumn.
maximum, including cover: H. 5.8 x Diam. 8.9 cm (2 5/16 x 3 1/2 in.) tea caddy only: H. 4.8 cm (1 7/8 in.)
Private Collection, Japan; sold [to Erik Thomsen LLC Asian Art, New York]; sold to Harvard University Art Museum
Lacquer on wood with decoration in tsugaru-nuri (layered sabi urushi [thick lacquer paste] and colored lacquers with sprinkled silver powder and raden [mother-of-pearl] flakes, textured with circular gouging), colored lacquers, gold, and sabi urushi utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and raden inlays
18th centuryJapanesePainted celadon ware: molded light gray stoneware with celadon glaze over decoration painted in copper-red and in black and white slips. Reportedly recovered in Changhŭng, South Chŏlla province, in 1963.
13th centuryKoreanRattan
19th centuryIndonesianEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Wanli nian zhi" within a double circle on the base
16th-17th centuryChineseMetal structure with plastic laminate
20th centuryBritishQingbai ware: molded porcelain with pale sky-blue glaze
13th centuryChineseWood
19th centuryAmericanMaki-e lacquer
19th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with spurious overglaze red enamel mark reading "Chenghua nian zhi" on the base
17th centuryChineseIron or bronze with decoration applied in gold; with small cartouche on the cover reading "Kingakuji" and a maker's mark in gold on the base; the interior of box and cover lined with sheet gold, the linings cursorily engraved with landscapes
19th-20th centuryJapanese