1920-1930
The slightly rounded walls of this small tea caddy rise almost vertically from the small, circular, countersunk base; they indent slightly near the top to form the vertical lip that receives and secures in place the cover, which has a flat top and vertical side walls. The exteriors of both cover and container are coated in roiro black lacquer; the cover and upper portion of the container's walls are emblazoned with a pattern of cherry blossoms and maple leaves in red and gold, which contrast with the black lacquer ground. Most of the leaves and blossoms--which are not connected and which lack any stems or scrolling foliage--are rendered in kirigane gold foil; a few leaves and blossoms are highlighted in red lacquer, while a few others are accentuated with bokashi kinpun gold dust. The lower portion of the container's exterior is embellished with nashiji gold flakes. The underside of the container and the interiors of both cover and container are enlivened with densely applied nashiji gold flakes, so that they superficially appear to have been rendered in a sparkling reddish gold lacquer. The overall impression is one of sumptuousness. The inclusion of both cherry blossoms and maple leaves in the decorative scheme makes this tea caddy appropriate for use in both spring and autumn.
maximum, including cover: H. 5.8 x Diam. 8.9 cm (2 5/16 x 3 1/2 in.) tea caddy only: H. 4.8 cm (1 7/8 in.)
Private Collection, Japan; sold [to Erik Thomsen LLC Asian Art, New York]; sold to Harvard University Art Museum
Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji ("pear-skinned" ground) techniques
17th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques
18th centuryJapaneseMetal
19th centuryFrenchLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques
16th-17th centuryJapaneseLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with textured sheet-lead and raden (mother-of-pearl) inlays
17th-18th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with raden (mother-of-pearl) inlays
17th-18th centuryJapaneseMetal structure with plastic laminate
20th centuryBritishLacquer on wood with decoration in sabi urushi (thick lacquer paste) and gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with appliqués of lead foil and raden (mother-of-pearl) inlays; stone and copper fittings
16th-17th centuryJapaneseLacquer on wood
JapaneseWood with inscribed characters in gold on lid and interior
18th centuryChineseTortoise shell
18th centuryFrench