Hiranatsume Spring and Autumn Tea Caddy with Decoration of Cherry Blossoms and Maple Leaves
1920-1930
Description
The slightly rounded walls of this small tea caddy rise almost vertically from the small, circular, countersunk base; they indent slightly near the top to form the vertical lip that receives and secures in place the cover, which has a flat top and vertical side walls. The exteriors of both cover and container are coated in roiro black lacquer; the cover and upper portion of the container's walls are emblazoned with a pattern of cherry blossoms and maple leaves in red and gold, which contrast with the black lacquer ground. Most of the leaves and blossoms--which are not connected and which lack any stems or scrolling foliage--are rendered in kirigane gold foil; a few leaves and blossoms are highlighted in red lacquer, while a few others are accentuated with bokashi kinpun gold dust. The lower portion of the container's exterior is embellished with nashiji gold flakes. The underside of the container and the interiors of both cover and container are enlivened with densely applied nashiji gold flakes, so that they superficially appear to have been rendered in a sparkling reddish gold lacquer. The overall impression is one of sumptuousness. The inclusion of both cherry blossoms and maple leaves in the decorative scheme makes this tea caddy appropriate for use in both spring and autumn.
Dimensions
maximum, including cover: H. 5.8 x Diam. 8.9 cm (2 5/16 x 3 1/2 in.) tea caddy only: H. 4.8 cm (1 7/8 in.)
Provenance
Private Collection, Japan; sold [to Erik Thomsen LLC Asian Art, New York]; sold to Harvard University Art Museum
Related Artworks
View MoreLacquered wood with inlays of tortoiseshell, twisted wire, and metal filings
19th centuryKoreanLacquered Papier-mâché
19th centuryKoreanApproximately 20 sheets of brass, steel, and nickel silver joined with gray lead-tin solder
20th centuryMoroccanSilver and wax
18th centuryBritishWood with inscribed characters in gold on lid and interior
18th centuryChineseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and with shibuchi (copper-silver alloy), brass, silver, and coral inlays; stone, metal, and enamel fittings
18th centuryJapanesePale greenish white nephrite
18th centuryChinese
Box with mounted Plexiglas wheel and various sample materials
20th centuryBritishLacquer on wood
18th-19th centuryJapaneseCeramic
19th centuryEuropeanMixed copper alloy, lid possibly tinned
6th-7th centuryByzantineLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; copper fittings
18th centuryJapanese