1920-1930
The slightly rounded walls of this small tea caddy rise almost vertically from the small, circular, countersunk base; they indent slightly near the top to form the vertical lip that receives and secures in place the cover, which has a flat top and vertical side walls. The exteriors of both cover and container are coated in roiro black lacquer; the cover and upper portion of the container's walls are emblazoned with a pattern of cherry blossoms and maple leaves in red and gold, which contrast with the black lacquer ground. Most of the leaves and blossoms--which are not connected and which lack any stems or scrolling foliage--are rendered in kirigane gold foil; a few leaves and blossoms are highlighted in red lacquer, while a few others are accentuated with bokashi kinpun gold dust. The lower portion of the container's exterior is embellished with nashiji gold flakes. The underside of the container and the interiors of both cover and container are enlivened with densely applied nashiji gold flakes, so that they superficially appear to have been rendered in a sparkling reddish gold lacquer. The overall impression is one of sumptuousness. The inclusion of both cherry blossoms and maple leaves in the decorative scheme makes this tea caddy appropriate for use in both spring and autumn.
maximum, including cover: H. 5.8 x Diam. 8.9 cm (2 5/16 x 3 1/2 in.) tea caddy only: H. 4.8 cm (1 7/8 in.)
Private Collection, Japan; sold [to Erik Thomsen LLC Asian Art, New York]; sold to Harvard University Art Museum
Inlaid celadon ware: light gray stoneware with celadon glaze over incised decoration partially inlaid in black and white slips
12th centuryKoreanMaki-e designs in gold and silver lacquers on nashiji lacquer ground
19th centuryJapaneseLacquer on wood
JapaneseDry lacquer; dark brown lacquer over fabric core, the decoration on the exterior in "takamakie" high relief gold and brown lacquer, the decoration on the interior and base in "nashiji" gold flakes; the base with signature reading "Mushū" in black lacquer
21st centuryJapaneseMaki-e lacquer;
17th-19th centuryJapaneseLacquer on wood
JapaneseWhite stoneware with clear glaze
8th-9th centuryChinesePale greenish white nephrite; the inscription picked out in gold
19th centuryChineseCarved ivory
19th centuryChineseMetal
11th-13th centuryPersianOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryHan painted lacquer: reddish-brown and black lacquers over wooden core, with designs painted in lacquer and with metal mounts (probably tin)
2nd-1st century BCEChinese